Page:A Dictionary of Music and Musicians vol 4.djvu/909

Rh Trésor des Pianistes, iv. 168a; Trio, iv. 171b; Trombone, iv. 178a; Trumpet, iv. 181a, etc.; Tudway, iv. 199b; Urio, iv. 209b, etc.; Variations, iv. 222a; Vauxhall Gardens, iv. 233b; Violin, iv. 279b; Violoncello-playing, iv. 300a; Vogler, iv. 325b; Voices, iv. 334b; Wagenseil, iv. 345a; Walsh (J.), iv. 380a; Waltz (G.), iv. 382a; Water Mus., iv. 384a; Welsh Mus., iv. 440b; Wesley (S.), iv. 446a; Wilder, iv. 457a; Wind-band, iv. 464b; Worgan (J.), iv. 486a; Zachau, iv. 498b; Bach (J. S.), iv. 527a; Burney, iv. 571a; Camidge, iv. 576a; Concerto grosso, iv. 596a; Cuzzoni, iv. 602b; Dance Rhythm, iv. 607a; Harmonious Blacksmith, iv. 666b; Kearns, iv. 688b; Occasional Oratorio, iv. 733b; Pizzicato, iv. 749a; Quaver, iv. 766b; Schütz, iv. 790b; Smith (J. C.), iv. 794b; Trumpet, iv. 804a.

, i. 658b; iv. 665a; Additional Accompaniments, i. 31a; Chrysander, i. 356b; iv. 591a.

, i. 659b; Breitkopf & Härtel, i. 273a; Rimbault (E. F.), iii. 135b.

, i. 659b; iv. 665a; Horn (C. Ed.), i. 752b; Boston Mus. Soc., iv. 555a.


 * Accordion, i. 25b.

, J., i. 661a. (See, i. 579a.)

, de R.; Hocket, i. 741a; Mus. Mensurata, ii. 415b.

, J., PF. Mus., ii. 734b.


 * Lincke, ii. 139b.

. (See, i. 69b.)

, i. 661a; iv. 666a; Abel (K. F.), i. 5a; Argyll Rooms, i. 82b; Bach Soc., i. 120a.

, iv. 666b.

, E., i. 661b; Ambros, i. 59b; Mus. Periodicals, ii. 427b, etc.; Wind Band, iv. 470a.

, C.; Orphéon, ii. 612b; Verhulst (J.), iv. 255a, etc.

, Count; PF. Mus., ii. 736a.

, J.; Virginal Mus., iv. 309a.

, J.; Wotton (W. B.), iv. 489b.

, J.; London Violin Makers, ii. 164b.


 * Sordini, iii. 636b.

, H., i. 691b; God save the King, i. 605b; Hawkins (Sir J.), i. 700b; Part Mus., ii. 656b.

. (See Page, ii. 632a.)


 * Guido d'Arezzo, iv. 659b.

. (See, i. 82a.)

, iv. 666b.

, i. 665b; Pandean Pipe, ii. 644a.

, i. 666a.

, i. 663a; Weber, iv. 427a.

, i. 663b; Ayrton, i. 107b; Hogarth, i. 742b; Mus. Periodicals, ii. 427a.

, i. 666a; Band, i. 134a; Serenata, iii. 468a.

, iv. 666b; Accidentals, i. 20a; Wagenseil, iv. 345a.

, i. 669a; iv. 667b; Additional Accompaniments, i. 32b, etc.; Anticipation, i. 73a; Cadence, i. 291a, etc.; Cathedral Mus., i. 324a; Chord, i. 352b; Concord, i. 389b; Consecutive, i. 391a; Day (A.), i. 436a; Discord, i. 449a; Figured Bass, i. 522a; Form, i. 542b; Helmholtz, i. 727b; Imperfect, i. 767b; Interval, ii. 11b; Inversion, ii. 17a; Key, ii. 52b; Leading Note, ii. 109a; Lied Form, ii. 134b; Major, ii. 200b; Melody, ii. 250b; Minor, ii. 333a; Mixed Cadence, ii. 338b; Modulation, ii. 347b, etc.; Monodia, ii. 355a; Monteverde, ii. 357a; Neapolitan Sixth, ii. 450a; Ninth, ii. 459a, etc.; Nota Cambita, ii. 466b; Passing Notes, ii. 663a, etc.; Pedal Point, ii. 678b; Perfect, ii. 686a; Rameau, iii. 69a, etc.; Reber, iii. 82b; Relation, iii. 105a, etc.; Scale, iii. 236a; Schools of Comp., iii. 264b, etc.;