Page:A Dictionary of Music and Musicians vol 4.djvu/908

68 ; Violin, iv. 284a.

, H.; PF. Mus., ii. 736a.


 * Horn, i. 749a; Stich, iii. 714a.

J. (See, i. 647a.)


 * Dvorak, iv. 621b.

. (See, i 415a.)


 * Philh. Soc., ii 699b.

, i. 647b.

, G. F., i. 647b; iv. 664a; Acad. of Ancient Mus., i. 10b; Accent, i. 13b, etc.; Accidentals, i. 20a; Act, i. 26a; Acis and Galatea, i. 26a; Additional Accompaniments, i. 30b, etc.; Agricola (J. F.), i. 44b;Alexander Balus, i. 52b; Alexander's Feast, i. 52b; Amen, i. 60b; Ancient Concerts, i. 64b; Andreoni, i. 67a; Annibali, i. 69b; Appoggiatura, i. 78b; Ariosti, i. 83a; Arne (T. A.), i. 84b; Arnold, i. 86a; Arrangement, i. 94a; Arrigoni, i. 95a; Ashley, i. 98a; Athalia, i. 100a; Auswahl, etc., i. 105a; Avison, i. 106b; Avoglio, i. 106a; Bach (C. P. E.), 113b; Baldassarri, i. 126a; Baldi, i. 126b; Bass, i. 148b; Bassoon, i. 153a; Beard, i. 158a; Beethoven, i. 199b; Belshazzar, i. 221a; Bernacchi, i. 234b; Bertolli (F.), i. 236b; Boschi, i. 261b; Britton, i. 277b; Broadwood and Sons, i. 278a; Bülow, i. 280b; Cæcilian Soc., i. 295a; Cantata, i. 305a; Capriccio, i. 307a; Carestini, i. 309a; Carissimi, i. 315a; Castrucci, i. 319b; Cecilia (St.) i. 329b; Chaconne, i. 332a; Choice of Hercules, i. 349a; Chrysander, i. 356a; Cibber, i. 357b; Clark (R.), i. 365b; Clarke-Whitfeld, i 365b; Clive, i. 375a; Cluer, i. 375a; Concerto, i. 387b, etc.; Corelli, i. 401a; Cristofori, i. 417b; Deborah, i. 438b; Dettingen Te Deum, i. 441a; Doc. of Mus., i. 451b; Dotti, i. 457a; Double Bassoon, i. 459a; Dubourg (M.),i. 467a; Duet, i. 468a; Durastanti, i. 471b; Elegy, i. 485b; Ely Cathedral, i. 488a; Esther, i. 496a; Felton, i. 511a; Festivals, i. 516b; Field, i. 520a; Firework Mus., i. 528b; Fitzwilliam Collection, i. 530b; Flute, i. 537b; Förstemann, i. 539a; Form, i. 543b, etc.; Foundling Hospital, i. 556b; Francesina, i. 558a; Franz (B.), i. 560b; Frasi, i. 561a; Fugue, i. 569b; Gallus, i. 579a; Gates, i. 584a; Geminiani, i. 587b; Gesellschaft der Musikfreunde, i. 591b; Gigue, i. 595b; Girardeau, i. 596b; Gismondi, i. 597a; Gizziello, i. 597b; Gluck, i. 601a; Glyn & Parker, i. 604b; Greene (M.), i. 624b; Grosso, i. 634a; Ground Bass, i. 634b; Guadagni (G.), 163a; Gunn (B.), i. 641a; Hallelujah, i. 647a; Handl, i. 661a; Harmony, i. 678b, etc.; Harpsichord, i. 688a, etc.; Hasse, i. 694b; Haym, i. 723b; Heidegger, i. 724b; Hiller (J. A.), i. 739a, etc.; Horn, i. 748b, etc.; Hornpipe, i. 753a; Humphreys (S.), i. 758a; Intonation, ii. 13a; Introit, ii. 15b; Israel in Egypt, ii. 25a, etc.; Jephthah, ii. 33b; Joseph, ii. 40a; Joshua, ii. 40a; Judas Maccabeus, ii. 44a; Kelway, ii. 50a; Kerl, ii. 51b; King's Theatre, The, ii. 58b; Lampe (J. F.), ii. 88b; Lassus, ii. 99b; Leading Note, ii. 109a; Legrenzi, ii. 114a; Lesson, ii. 124a; Libretto, ii. 130b; Lincoln's Inn Fields Theatre, ii. 140a; Lowe (T.), ii. 170a; Maestro, ii. 195b; Magnificat, ii. 197a; March, ii. 211b, etc.; Mass, ii. 227a; Matheson, ii. 237a; Meister, Alte, ii. 247b; Mendelssohn, ii. 257a, etc; Merighi, ii. 313b; Messiah, ii. 315a; Metastasio, ii. 316a; Minuet, ii. 333b; Mizler, ii. 339b; Modulation, ii. 348a, etc.; Montagnana, ii. 356b; Mosel, ii. 371a; Motet, ii. 376a; Mountier, ii. 377b; Mozart, ii. 392a; Muffat (A. G. T.), ii. 408a; Musard, ii. 410a; Musette, ii. 410b; Mus. Lib., ii. 419b, etc.; Mus. Periodicals, ii. 430a; Mus. Printing, ii. 436b; Mus. School, Oxford, ii. 437a; Negri (M. and B.), ii. 451a; Niederrheinische Musikfeste, ii. 456a; Non Nobis Domine, ii. 464a; Nottebohm, ii. 479a; Oboe, ii. 487b, etc.; Ode, ii. 492a; Opera, ii. 508a, etc.; Oratorio, ii. 538b, etc.; Orchestra, ii. 563b; Orchestration, ii. 567a, etc.; Organ, ii. 586b, etc.; Otthoboni (Cardinal), ii. 615b; Overture, ii. 618b, etc.; Page, ii. 632b; Paradies, ii. 647b, note; |Parry (John, of Rhuabon), ii. 651b; Part Song, ii. 658a; Passacaglia, ii. 661a; Passion Mus., ii. 666a; Pasticcio, ii. 669a; Pastoral Symphony, ii. 670b; Pause, ii. 676a; Pedal Point, ii. 679b; Piccolo, ii. 750b; Polonaise, iii. 10b; Porpora, iii. 16b, etc.; Postillons, iii. 22a; Pract. Harmony, iii. 24a; Prince de la Moskowa, iii. 31b; Programme Mus., iii. 36b; Quantz, iii. 56a; Randall (J.), iii. 73a; Randall (R.), iii. 73a; Ranelagh House, etc., iii. 74b; Real Fugue, iii. 80b; Recitative, iii. 85b; Reinhold, iii. 103a; Rietz (J.), iii. 133b; Rinaldo, iii. 135b; Rochlitz, iii. 142a; Royal Acad. of Mus., iii. 184b; Royal Soc. of Musicians of Gt. Britain, iii. 187a, etc.; Ruckers (Andries), iii. 196b; Rule, Britannia, iii. 203b; Salmson, iii. 223a; Saraband, iii. 227b; Saul, iii. 230a; Scena, iii. 240b; Schools of Comp., iii. 290b, etc.; Schubert, iii. 353a; Score, iii. 430a; Scotch Snap, iii. 437b; See, the Conquering Hero, iii. 456b; Senesino, iii. 461b, etc.; Serenata, iii. 467b; Sergeant Trumpeter, iii. 469a; Shore (John), iii. 488b, note; Siciliana, iii. 491b; Signature, iii. 493b; Singakademie, iii. 516a; Sketches, iii. 527a; Siroe, Re di Persia, iii. 534a; Smart (Sir G.), iii. 537b; Smith (J. C.), iii. 540a; Snow, iii. 542b; Solomon, iii. 553b; Sonata, iii. 558b; Song, iii. 607b, etc.; Sons of the Clergy, iii. 633b; Specimens, Crotch's, iii. 648b; Steffani, iii. 696a; Strada del Pò, iii. 721b; Subject, iii. 749b, etc.; Suite, iii. 758a, etc.; Susanna, iv. 4b; Tamerlano, iv. 56b; Te Deum, iv. 69a; Telemann, iv. 69b; Temperament, iv. 73b; Tenor-Violin, iv. 90a; Tesi-Tramontini, iv. 93b; Theorbo, iv. 101a; Thoroughbass, iv. 108b; Tonal Fugue, iv. 137a, etc.; Tower Drums, iv. 156b;