Page:A Dictionary of Music and Musicians vol 4.djvu/849

Rh ; Burney, i. 284a; Carlo, i. 314b; Clavichord, i. 3676; Dussek, i. 473b; Fantasia, i. 503b; Fasch, i. 508a; Fingering, i. 526b; Form, i. 546a; Haydn, i. 704a; Hérold, i. 730b; Klavier Mus. Alte, ii. 63b; Latrobe, i. 102b; Lobkowitz, ii. 155a; Meister, Alte, ii. 247b; Mordent, ii. 363b; Nachschlag, ii. 441a; Pedals, ii. 682b; PF., ii. 714a, etc.; PF. Mus., ii. 724a; PF.-playing, ii. 737a; Poelchau, iii. 5a; Pract. Harmony, iii. 24a; Programme Mus., iii. 36b; Rochlitz, iii. 142a; Rust, iii. 206a; Scherzo, iii. 245b; Schools of Comp., iii. 288b; Shake, iii. 480a; Silbermann, iii. 494b; Sonata, iii. 564b; Song, iii. 621b; Sordini, iii. 636a; Specimens, Crotch's, iii. 650a; Swieten, iv. 9a; Symphony, iv. 14a; Tangent, iv. 57a; Temperament, iv. 72a; Trésor des Pianistes, iv. 168a; Tuning, iv. 188b; Turn, iv. 191b; Bitter, iv. 548a; Giovannini, iv. 647b.

, Dr. O.; Mozarteum of Salzburg, ii. 406b; Sechter, iii. 456a.

, Georg Chr., i. 110a.

, Hans, i. 109a.

, Hans, i. 109a.

, Heinrich, i. 109b.

, Johannes, i. 109b.

, Joh. Ægidius, i. 110b.

, Joh. Ambrosius, i. 110a.

, Joh. Bernhard, i. 110b; Walther, iv. 381b.

, Joh. Bernhard, i. 110b.

, Joh. Christian, i. 110b.

, Joh. Christoph, i. 110a.

, Joh. Christoph, i. 110a.

, Joh. Christoph, i. 110b.

, Joh. M., i. 111b; Kirchen Cantaten, ii. 60a.

, Joh. M., i. 112a.

, Joh. N., i. 112a.

, W. F. E., i. 113a.

, Veit, i. 109a.

, J. S., i. 114a; iv. 526b; Abel (K. F.), i. 4b; Accidentals, i. 20a; Accompaniment, i. 23a; Act, i. 26a; Additional Accompaniments, i. 30b, etc; Æolian Mode, i. 40b; Agricola (J. F.), i. 44b; Albert Prince, i. 49a; Albinoni, i. 50a; Allemande, i. 55b; Ancient Concerts, i. 64b; Appoggiatura, i. 76a, etc.; A quatre mains, i. 80a; Arpeggio, i. 88a; Arrangement, i. 89b, etc.; Art of fugue, i. 96a; Auswahl, etc., i. 105a; Ballets, i. 133a; Bassoon, i. 153b; Beethoven, i. 163a, etc.; Bernhard (W. C.), i. 235b; Bifaria; i. 241a; Bourrée, i. 264a; Billow, i. 280b; Burla, i. 283b; Buxtehude, i. 286a; Canon, i. 304b; Cantata, i. 305a; Canto Fermo, i. 306a; Canzona, i. 306b; Cario (J.), i. 314b; Cembalo, i. 330b; Chaconne, i. 331b; Chorale, i. 350a; Chrysander, i. 356b; Clavichord, i. 367b; Concerto, i. 387a, etc.; Couperin, i. 409b; Courante, i. 410b; Credo, i. 415b; Dehn, i. 439a; Dorian, i. 455a; Double Concerto, i. 459a; Doubles, i. 460a; Ecclesiasticon, i. 481b; Ein' feste Burg, i. 484a; Etudes, i. 497a; Extempore playing, i. 498b; Fantasia, i. 503b; Field, i. 520a; Figure, i. 521a, etc.; Fingering, i. 526a, etc.; Flute, i. 537a; Forkel, i. 540b; Forlana, i. 540b; Form, i. 542b, etc.; Frederic the Great, i. 561b; Fugue, i. 569b; Gamba, Viola da, i. 580a; Gerber, i. 589a; Gewandhaus Concerts, i. 592b; Gigue, i. 595b; Goldberg, i. 607b; Grand Piano, i. 617b; Graupner, i. 622a; Griepenkerl, i. 631a; Ground-Bass, i. 634b; Handel, i. 654b, etc.; Harmony, i. 682a, etc.; Harpsichord, i. 688a; Hassler, i. 697a; Hawkins, i. 700a; Hiller (Ferd.), i. 737a; Homilius, i. 745b; Horn, i. 748b; Hymn, i. 761a; Imitation, i. 766a; Instrument, ii. 6b, note; Interval, ii. 11b; Intonation, ii. 13a; Invention, ii. 15b; Inversion, ii. 15b; Isaac, ii. 23b; Jacob, ii. 28b; Jahrbücher, ii. 30b; Joachim, ii. 35b; Kirchen Cantaten, ii. 59b; Kirnberger, ii. 62a; Kittel, ii. 63a; Krebs (J. L.), ii. 71a; Kroll, ii. 73b; Kühmstedt, ii. 75a; Kunst der Fuge, ii. 77a; Kyrie, ii. 78b; Leading-note, ii. 109a; Legrenzi, ii. 114a; Leipzig, ii. 115a, etc.; Leit-Motif, ii. 118b; License, ii. 131a; Lute, ii. 175b; Magnificat, ii. 197a; Marchand, ii. 213b; Mass, ii. 233b; Melody, ii. 250a; Mendelssohn, ii. 256a, etc.; Minuet, ii. 333b; Mitzler, ii. 339b; Modulation, ii. 348b; Mordent, ii. 363a; Mosewius, ii. 371b; Motet, ii. 376a; Mozart, ii. 392b; Musette, ii. 410b; Mus. Lib. ii. 418b, etc.; Mus. printing, ii. 436b; Musikalisches Opfer, ii. 438a; Niederrheinische Musikfeste, ii. 456a; Non Nobis, ii. 464a; Nottebohm, ii. 479a; Oboe, ii. 488a; Oboe d'amore, ii. 489a; Oboe di caccia, ii. 489a; Oratorio, ii. 540b, etc.; Orchestra, ii. 563a, etc.; Orchestration, ii. 567b;