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../Hymn/; Hyper; ../Imbroglio/; ../Imperfect/; ../Improperia/; ../Inganno/; ../Initials, Absolute/; ../In Nomine/; ../Inscription/; ../Interlude/; ../Intermezzo/; ../Intonation/; ../Intoning/; ../Introit/; ../Inversion/; ../Ionian Mode/; ../Knell/; ../Kyrie/; ../Lamentations/; ../Large/; ../Lauda Sion/; ../Laudi Spirituali/; ../Lauds/; L'homme armé; ../Ligature/; ../Litaniæ Lauretanæ/; ../Litany/; ../Locrian Mode/; ../Long/; ../Lydian Mode/; ../Macicotaticum/; ../Madrigal/; ../Magnificat/; ../Maneria/; ../Mass/; ../Matins/; ../Mean/; ../Medial Cadence/; ../Mediant/; ../Mediation/; ../Melisma/; Mell; ../Melodrama/; ../Metre/; ../Metronome/; Mi Contra Fa; ../Micrologus/; ../Minim/; ../Miserere/; ../Missa Brevis/; ../Missa de Angelis/; ../Missa Papæ Marcelli/; Missa sine Nomine; Missa supra Voces Mus.; ../Mixed Modes/; ../Mixolydian Mode/; ../Mode/; Modes, Ecclesiastical; ../Modulations, Regular and Conceded/; ../Monodia/; ../Monotone/; Monteverde; ../Motet/; ../Motetus/; ../Musica Ficta/; ../Musica Figurata/; ../Musica Mensurata/; ../Musurgia Universalis/; ../Mutation/; Nanini, G. B.; Nanini, G. M.; Nocturno; ../Nodus Salomonis/; ../Noël/; ../None/; ../Nonet/; ../Non Nobis Domine/; Nota cambita; ../Notation/; ../Ochetto/; ../Offertorium/; ../Opera/; Opera Bouffe; ../Opera Buffa/; Opera Comique; Opera, Grand; ../Operetta/; ../Oratorio/; ../Orchestra/; ../Orchestration/; ../Organum/; ../O Salutaris Hostia/; Otthoboni; ../Participant/; Passion-music; ../Pasticcio/; Peri; ../Perielesis/; ../Phrygian Mode/; ../Plagal Modes/; Plain-song; ../Plica/; ../Pneuma/; ../Podatus/; ../Point/; ../Polyphonia/; ../Prætorius/; ../Presa/; ../Prime/; ../Prolation/; ../Proportion/; ../Proposta/; ../Proprietas/; ../Quilsma/; ../Quinta Falsa/; ../Quintoyer/; ../Quintus/; ../Radical Cadence/; ../Real Fugue/; ../Recitative/; ../Reciting-Note/; Recte et Retro; ../Requiem/; ../Responsorium/; Reynolds; ../Risposta/; ../Ritornello/; ../Rosalia/; Saggio di Contrappunto; ../Salve Regina/; ../Sanctus/; ../Scena/; ../Schools of Composition/; ../Score/; Score, arranging from; Score, playing from; ../Scoring/; ../Secco Recitative/; ../Semibreve/; ../Semicroma/; ../Semifusa/; ../Semiminima/; ../Semiquaver/; ../Sequentia/; ../Serenade/; ../Serenata/; ../Sesqui/; ../Sext/; ../Sextus/; ../Si/; ../Sistine Choir/; ../Sketch/; ../Sketches/; ../Solmisation/; ../Spondee/; ../Stabat Mater/; ../Stave/; ../Strict Counterpoint/; ../Subject/; ../Sumer is icumen in/; ../Syntagma Musicum/; ../Tablature/; ../Tantum ergo/; Te Deum; ../Tenebræ/; ../Terce/; ../Tetrachord/; ../Theme/; Thorough-bass; ../Tierce de Picardie/; ../Time/; Time-beating; Time-signature; Time-table; Tinctoris; ../Tonal Fugue/; ../Torculus/; ../Transposition of the Ecclesiastical Modes/; ../Trochee/; ../Use/; ../Veni Creator Spiritus/; ../Versicle/; ../Vesperale/; ../Vespers/; ../Villanella/; ../Voces Aretinæ/; ../Voces Belgicæ/; ../Voces Hammerianæ/; ../Voices/; ../Waits, The/; Water-mus.; ../Zacconi, Ludovico/; ../Zachau, Friedrich/; ../Zarlino, Gioseffe/; ../Aevia/; Alfieri; ../Anapæst/; ../Andamento/; ../Attacco/; Azzopardi; ../Cantor/; ../Chiavette/; ../Clausula/; ../Compline/; ../Concertino/; Concerto grosso; ../Diaphonia/; ../Dies Iræ/; ../Dodecachordon/; ../Evacuatio/; ../Evovae/; Fa fictum; Fay, du; Franco, of Cologne; Fulda, de; Galilei; Gregorian Tones; ../Guido d'Arezzo/; Hale, A. de la; Handel; Hucbaldus; ../Invitatorium/; ../Maneria/; ../Mass/; ../Missa de Angelis/; Part-books; Part-writing; ../Pentatonic Scale/; ../Pentatonon/; Sistine Chapel; ../Soggetto/; ../Tractulus/; ../Tractus/; Vallotti; ../Veni Sancte Spiritus/; Vertical and Horizontal Methods; ../Victimæ Paschali/.