Page:A Dictionary of Music and Musicians vol 3.djvu/776

764  In 'Good Words,' March 1867.
 * Hymn of the Homeland.

In Hullah's 'Book of Praise Hymnal' (Macmillan), 1867.
 * 'Thou God of love.'
 * 'Of Thy love some gracious token.'

In 'Psalms and Hymns for Divine Worship '(Nisbet). 1867.
 * Mount Zion, 'Rock of Ages.'
 * Formosa. 'Light of those' ('Falfield').
 * S. Luke. 'God moves in a mysterious way.'

In Brown Borthwick's 'Supplemental Hymn and Tune Book.' N., 3rd ed. 1868.
 * 'The strain upraise of joy and praise.'

In 'Sarum Hymnal.' 1869.
 * 'When through the torn sail' ('Gennesareth,' also ' Heber').

In 'The Hymnary.' N. 1872.
 * 'Lord in this.' No. 222. ('Lacrymae' and 'Penitente.')
 * 'O Jesu our salvation.' 225. ('Lux Mundi.')
 * 'Saviour, when in dust to Thee.' 249.
 * 'Welcome, happy morning.' 284.
 * 'Come, ye faithful.' 285. (S. Kevin.)
 * 'Onward Christian soldiers.' 476. ('S. Gertrude,' also 'Church Militant.')
 * 'Safe home.' 507.
 * 'Gentle Shepherd.' 609. ('The Long Home.')
 * 'Angel voices.' 532.
 * 'Nearer, my God, to Thee.' 570. ('Propior Deo.')
 * 'Art thou weary.' 697. ('Venite,' also 'Rest.')


 * 'We are but strangers here.' 646. ('S. Edmund,' also Heaven is my home.')

In Church Hymns with Tunes. S.P.C.K. 1874.
 * Christus. 496.
 * Cœna Domini. 207.
 * Coronæ. 354.
 * Dulce sonans. 316.
 * Ever faithful. 414.
 * Evelyn. 390.
 * Golden Sheaves. 281.
 * Hanford. 400.
 * Holy City. 497.
 * Hushed was the evening hymn. 572.
 * Litany. 585.
 * Do. 592.
 * Paradise. 473.
 * Pilgrimage. 367.
 * Resurrexit. 132.
 * St. Francis. 220.
 * St. Nathaniel. 257.
 * Saints of God. 191.
 * Ultor omnipotens. 262.
 * Valete. 30.
 * Veni Creator. 346.

Also 5 tunes not marked as composed for this work, but published here for the first time:—
 * St. Mary Magdalene.
 * Lux in tenebris.
 * Lux Eoi.
 * St. Patrick.
 * St. Theresa.

(Besides 7 tunes specially adapted or arranged.)

In 'Presbyterian Hymnal for the young.' 1882.
 * 'Courage brother.'

The Contrabandista. B. 1868.

Cox and Box. B. 1869.

Thespis (MS.). 1872.

Trial by Jury. Ch. 1875.

The Zoo (MS.). 1875.

The Sorcerer. M. 1877.

H.M.S. Pinafore. M. 1878.

Pirates of Penzance. Ch. 1880.

Patience. Ch. 1881.

Iolanthe. Ch. 1882.

[App. p.797 "add 'Princess Ida,' 1884; 'The Mikado,' 1885; 'Ruddigore,' 1887; 'The Yeomen of the Guard,' 1888; all published by Chappell."]

The Tempest. Op. 1. C., 1862.; afterwards N.

Merchant of Venice. C. 1873.

The Merry Wives of Windsor. MS.

Henry VIII. M. 1879.

[App. p.797 "add Overture and incidental music to Macbeth, produced Dec. 29, 1888."]

[App. p.797 "Among the vocal works add the cantata 'The Golden Legend,' produced at the Leeds Festival of 1886, and published by Novello; and the trio 'Morn, happy morn,' for soprano, alto and tenor, with flute obbligato, written for the play of 'Olivia,' by W. G. Wills."]

The last night of the year. N. 1868.

Choral Songs. N.:—
 * The rainy day. 1867.
 * O hush thee, my babie. 1867.
 * Evening. 1868.
 * Joy to the Victors. 1868.
 * Parting gleams. 1863.
 * Echoes. 1868.
 * The long day closes. 1868.
 * The beleaguered. 1868.

'Song of peace,' In The Choralist, no. 160. B.

I wish to tune (Baritone and Orch.) B. 1868.

The Window, or the Loves of the Wrens: words written for music by Alfred Tennyson, Poet Laureate; the music by Arthur Sullivan. Strahan & Co. 1871. (11 Songs set out of 12).

Bride from the North. C. 1863.

I heard the nightingale. Ch. 1863.

Arabian Love Song (Shelley). Ch. 1866.

Orpheus with his lute. C. 1866.

O mistress mine. C. 1866.

Sigh no more, ladles. C. 1866.

The Willow Song. C. 1866.

Sweet day, so cool. C. 1866.

Rosalind. C. 1866.

Thou art lost to me. B. 1866.

Will he come? B. 1866.

A weary lot is thine. Ch. 1866.

If doughty deeds. Ch. 1866.

She is not fair to outward view. B. 1866.

Ah! County Guy. A. & P. 1867.

The Maiden's Story. Ch. 1867.

Give. B. 1867.

In the summers long ago. M, 1867.

What does little birdie say? A. & P. in 'Hanover Square,' 1867.

The moon in silent brightness.

O fair dove, fond dove. A. & P. in 'Hanover Square,' 1868.

O sweet and fair. B. 1868.

The snow lies white. B. 1868.

The mother's dream. B. 1868.

The Troubadour. B. 1869.

Birds in the night (Lullaby from Cox and Box). B. 1869.

Sad memories. M. 1869.

Dove song. B. 1869.

A life that lives for you. B. 1870.

The Village Chimes. B. 1870.

Looking back. B. 1870.

Once again. B. 1872.

Golden days. B. 1872.

None but I can say. B. 1872.

Guinevere. C. 1872.

The Sailor's grave. C. 1872.

Little maid of Arkadee (Thespis). C. 1872.

There sits a bird. C. 1873.

Looking forward. B. 1873.

The Young Mother, 3 Songs—Cradle Song; Ay di mi; First Departure. C. 1873.

O ma charmante. C. 1873.

O Bella mia. C. 1873.

Sweet dreamer. C. 1873.

Two Songs in 'The Miller and his Man,' a drawing-room entertainment by F. C. Burnand. 1873.

Sleep, my love, sleep. 1874.

Mary Morison. 1874.

The Distant Shore. Ch. 1874.

Thou art weary. Ch. 1874.

My dear and only love. B. 1874.

Living poems. B. 1874.

Tender and true. Ch. 1874.

Christmas Bells at Sea. N. 1875.

Love laid his sleepless head. B. 1875.

The love that loves me not. N. 1875.

Let me dream again. B. 1875.

Thou'rt passing hence. Ch. 1875.

Sweethearts. Ch. 1875.

My dearest heart. B. 1876.

Sometimes. B. 1877.

The lost chord. B. 1877.

I would I were a king. B. 1877.

When thou art near. B. 1877.

Old love letters. B. 1879.

St. Agnes Eve. B. 1879.

The Dominion Hymn. Ch. 1880.

Edward Gray (Tennyson Album). S. L. 1880.

The Sisters (Duet S. & A. Leisure Hour, 1881).

Procession March. C. 1863.

Music to the Ballet 'L'Ile enchanted.' May 16, 1864.

Symphony in E. 1866. MS.

Concerto, Cello, and Orchestra 1866. MS.

Overtures:—
 * Sapphire Necklace. MS.
 * In Memoriam. 1866. MS.
 * Marmion. 1867. MS.
 * Di Ballo. S. L. 1869.

Additional accompaniments to Handel's 'Jephtha.' 1869. MS.

Duo concertante, PF. and Cello. D. Lamborn Cock.

Thoughts, Op. 2. Nos. 1 and 2. 1862.

Twilight. Ch. 1868.

Day dreams. 6 pieces. B. 1867.

[ G. ]

SUL PONTICELLO, upon, i.e. close to, the bridge; a term in violin playing to imply that the bow is used on that part of the strings. For the effect see, vol. iii. p. 15. [ G. ]

SULZER,, Precentor of the Jews' synagogue in Vienna, and reformer of their musical service, was born March 30, 1804, at Hohenems in Vorarlberg. The name was derived from Sulz in Würtemberg, the ancient residence of the family. When only 13 he was made cantor of the synagogue at his native village by the Emperor Franz I, and in 1825 was called to Vienna to conduct the music at the newly built synagogue there. There he took lessons in composition from Seyfried, and set himself earnestly to reform the service by reducing the old melodies to rhythm and harmonising them. His collection of Jewish hymns, under the name of 'Schir Zion,' the Harp of Zion, was used all over Germany, Italy, and even America; but it was not till 1838 that he could succeed in publishing it. It contains a setting of the 92nd Psalm (in Moses Mendelssohn's version) by, for Baritone solo, and 4 men's voices, made in July 1828, the autograph of which is in possession of the synagogue (Nottebohm's Catalogue, p. 229). In 1842 a second edition appeared, and in 1865 a second volume. A collection of home and school songs, entitled 'Dudaim' (Mandrakes), appears to be still in MS. In 1866 a fête was held in his honour and a silver laurel presented to him, with the inscription 'The Artists of Vienna to the Artist Sulzer.' From 1844 to 47 he was Professor of Singing at the Vienna Conservatorium. He is a Ritter of the order of Franz Joseph (1868) and carries the medals of various societies. His voice, a baritone, is said to have been magnificent, and he was greatly esteemed and beloved inside and outside of his own community.

His two daughters, Marie and Henriette are public singers, and his son Joseph is an esteemed cello-player in the Court opera at Vienna. [ G. ]