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xvi recitals that had been handed down by word of mouth from one generation to another of bards through ages of illiteracy. It was strenuously contended that the case could not well be otherwise, inasmuch as the art of writing must have been quite unknown in Greece until after the alleged age of the traditional Homer, whose date had been variously estimated at from 1000 to 800 B.C. by less sceptical generations. It had come to be a current belief that the Iliad was first committed to writing in the age of Pisistratus. A prominent controversialist, Mr Paley, even went so far as to doubt whether a single written copy of the Iliad existed in Greece at the time of the Peloponnesian War. The doubts thus cast upon the age when the Homeric poems first assumed the fixed form of writing were closely associated with the universal scepticism as to the historical accuracy of any traditions whatever regarding the early history of Greece. Cautious historians had come to regard the so-called “Heroic Age” as a prehistoric period regarding which nothing definite was known, or in all probability could be known. It was ably argued by Sir George Cornewall Lewis, in connexion with his inquiries into early Roman history, that a verbal tradition is not transmitted from one generation to another in anything like an authentic form for a longer period than about a century. If, then, the art of writing was unknown in Greece before, let us say the 6th century B.C, it would be useless to expect that any events of Grecian history prior to about the 7th century B.C. could have been transmitted to posterity with any degree of historical accuracy.

Notwithstanding the allurements of the subject, such conservative historians as Grote were disposed to regard the problems of early Grecian history as inscrutable, and to content themselves with the recital of traditions without attempting to establish their relationship with actual facts. It remained for the more robust faith of a Schliemann to show that such scepticism was all too faint-hearted, by proving that at such sites as Tiryns, Mycenae, and Hissarlik evidences of a very early period of Greek civilization awaited the spade of the excavator. Thanks to the enthusiasm of Schliemann and his successors, we can now substitute for the mythical “Age of Heroes” a historical “Mycenaean Age” of Greece, and give tangible proof of its relatively high stage of civilization. Schliemann may or may not have been correct in identifying one of the seven cities that he unearthed at Hissarlik as the fabled Troy itself, but at least his efforts sufficed to give verisimilitude to the Homeric story. With the lessons of recent oriental archaeology in mind, few will be sceptical enough to doubt that some such contest as that described in the Iliad actually occurred. And now, thanks the efforts of a large company of workers, notably Dr Arthur Evans and his associates in Cretan exploration, we are coming to speak with some confidence not merely of a Mycenæan but of a pre-Mycenæan Age.

As yet we see these periods somewhat darkly. The illuminative witness of written records is in the main denied us here. Some most archaic inscriptions have indeed been found by the explorers in Crete, but these for the present serve scarcely any other purpose than to prove the antiquity of the art of writing among a people who were closely in touch with the inhabitants of Hellas proper. Most unfortunately for posterity, the Greeks wrote mainly on perishable materials, and hence the chief records even of their later civilization have vanished. The only fragments of Greek manuscripts antedating Christian era that have been preserved to us have been found in Egypt, where a hospitable climate granted them a term of existence not to be hoped for elsewhere. No fragment of these papyri, indeed, carries us further back than the age of the Ptolemies; but the Greek inscriptions on the statues of Rameses II at Abu-Simbel, in Nubia, give conclusive proof that the art of writing was widely disseminated among the Greeks at least three centuries before the age of Alexander. This carries us back towards the traditional age of Homer.

The Cretan inscriptions belong to a far older epoch, and are written in two non-Grecian scripts of undetermined affinities. Here, then, is direct evidence that the Aegean peoples of the Mycenaean Age knew how to write, and it is no longer necessary to assume that the verses of the Iliad were dependent on mere verbal transmission for any such period as has been supposed.

But even were direct evidence of the knowledge of the art of writing in Greece of the early day