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 for instances, so might I myself. But, somehow or other, there clings to our minds a certain presage of future ages; and this both exists most firmly, and appears most clearly, in men of the loftiest genius and greatest souls. Take away this, and who would be so mad as to spend his life amidst toils and dangers? I speak of those in power. What are the poet's views but to be ennobled after death? What else is the object of these lines,

He is challenging the reward of glory from those men whose ancestors he himself had ennobled by his poetry. And in the same spirit he says, in another passage,

Why do I mention poets? The very mechanics are desirous of fame after death. Why did Phidias include a likeness of himself in the shield of Minerva, when he was not allowed to inscribe his name on it? What do our philosophers think on the subject? Do not they put their names to those very books which they write on the contempt of glory? If, then, universal consent is the voice of nature, and if it is the general opinion everywhere that those who have quitted this life are still interested in something, we also must subscribe to that opinion. And if we think that men of the greatest abilities and virtues see most clearly into the power of nature, because they themselves are her most perfect work, it is very probable that, as every great man is especially anxious to benefit posterity, there is something of which he himself will be sensible after death.

XVI. But as we are led by nature to think there are Gods, and as we discover, by reason, of what description they are, so, by the consent of all nations, we are induced to believe that our souls survive; but where their habitation is, and of what character they eventually are, must be learned from reason. The want of any certain reason on which to argue has given rise to the idea of the shades below, and to those fears which you seem, not without