Page:1882. The Prince and The Pauper. A Tale for Young People of All Ages.djvu/363

Rh Every now and then rose the cry, "A largess! a largess!" and Tom responded by scattering a handful of bright new coins abroad for the multitude to scramble for.

The chronicler says, "At the upper end of Gracechurch Street, before the sign of the Eagle, the city had erected a gorgeous arch, beneath which was a stage, which stretched from one side of the street to the other. This was a historical pageant, representing the King's immediate progenitors. There sat Elizabeth of York in the midst of an immense white rose, whose petals formed elaborate furbelows around her; by her side was Henry VII., issuing out of a vast red rose, disposed in the same manner: the hands of the royal pair were locked together, and the wedding-ring ostentatiously displayed. From the red and white roses proceeded a stem, which reached up to a second stage, occupied by Henry VIII., issuing from a red-and-white rose, with the effigy of the new king's mother, Jane Seymour, represented by his side. One branch sprang from this pair, which mounted to a third stage, where sat the effigy of Edward VI. himself, enthroned in royal majesty; and the whole pageant was framed with wreaths of roses, red and white."

This quaint and gaudy spectacle so wrought upon the rejoicing people, that their acclamations utterly smothered the small voice of the child whose business it was to explain the thing in eulogistic rhymes. But Tom Canty was not sorry; for this loyal uproar was sweeter music to him than any poetry, no matter what its quality might be. Whithersoever Tom turned his happy young face, the people recognized the exactness of his effigy's likeness to himself, the flesh and blood counterpart; and new whirlwinds of applause burst forth.

The great pageant moved on, and still on, under one triumphal arch after another, and past a bewildering succession of spectacular and symbolical tableaux, each of which typified and exalted some