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 boldness, disclosed to the great royal city its godless ways, and announced its destruction within a very short period with the confidence so characteristic of the God-sent prophets, could not fail to make a powerful impression upon the minds of the people, which would be all the stronger if the report of the miraculous working of the prophets of Israel had penetrated to Nineveh. There is just as little to surprise us in the circumstance that the signs of mourning among the Ninevites resemble in most respects the forms of penitential mourning current among the Israelites, since these outward signs of mourning are for the most part the common human expressions of deep sorrow of heart, and are found in the same or similar forms among all the nations of antiquity (see the numerous proofs of this which are collected in Winer's Real-wörterbuch, art. Trauer; and in Herzog's Cyclopaedia). Ezekiel (Eze 26:16) depicts the mourning of the Tyrian princes over the ruin of their capital in just the same manner in which that of the king of Nineveh is described here in Jon 3:6, except that, instead of sackcloth, he mentions trembling as that with which they wrap themselves round. The garment of haircloth (saq) worn as mourning costume reaches as far back as the patriarchal age (cf. Gen 37:34; Job 16:15). Even the one feature which is peculiar to the mourning of Nineveh - namely, that the cattle also have to take part in the mourning - is attested by Herodotus (9:24) as an Asiatic custom. This custom originated in the idea that there is a biotic rapport between man and the larger domestic animals, such as oxen, sheep, and goats, which are his living property. It is only to these animals that there is any reference here, and not to “horses, asses, and camels, which were decorated at other times with