Page:06.CBOT.KD.PropheticalBooks.B.vol.6.LesserProphets.djvu/1172

 earth will be filled with the acknowledging. The water of the sea is a figure denoting overflowing abundance.

Verses 15-17
The fourth woe is an exclamation uttered concerning the cruelty of the Chaldaean in the treatment of the conquered nations. Hab 2:15. “Woe to him that giveth his neighbour to drink, mixing thy burning wrath, and also making drunk, to look at their nakedness. Hab 2:16. ''Thou hast satisfied thyself with shame instead of with honour; then drink thou also, and show the foreskin. The cup of Jehovah's right hand will turn to thee, and the vomiting of shame upon thy glory.'' Hab 2:17. For the wickedness at Lebanon will cover thee, and the dispersion of the animals which frightened them; for the blood of the men and the wickedness on the earth, upon the city and all its inhabitants.” The description in Hab 2:15 and Hab 2:16 is figurative, and the figure is taken from ordinary life, where one man gives another drink, so as to intoxicate him, for the purpose of indulging his own wantonness at his expense, or taking delight in his shame. This helps to explain the משׁקה רעהוּ, who gives his neighbour to drink. The singular is used with indefinite generality, or in a collective, or speaking more correctly, a distributive sense. The next two circumstantial clauses are subordinate to הוי משׁקה, defining more closely the mode of the drinking. ספּח does not mean to pour in, after the Arabic sfḥ; for this, which is another form for Arab. sfk, answers to the Hebrew שׁפך, to pour out (compare שׁפך חמתו, to pour out, or empty out His wrath: Psa 79:6; Jer 10:25), but has merely the meaning to add or associate, with the sole exception of Job 14:19, where it is apparently used to answer to the Arabic sfḥ; consequently here, where drink is spoken of, it means to mix wrath with the wine poured out. Through the suffix חמתך the woe is addressed directly to the Chaldaean himself, - a change from the third person to the second, which would be opposed to the genius of our language. The thought is sharpened by ואף שׁכּר, “and also (in addition) making drunk” (shakkēr, inf. abs.). To look upon their nakednesses: the plural מעוריהם is used because רעהוּ has a collective meaning. The prostrate condition of the drunken man is a figurative representation of the overthrow of a conquered nation (Nah 3:11), and the uncovering of the shame a figure denoting the