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 proved that the tradition which ascribes the Lamentations to the prophet Jeremiah as their author is as well-founded as any ancient historical tradition whatever.

Time of Composition
From the organic connection of the five poems, as shown above, it follows of itself that they cannot have proceeded from different authors, nor originated at different periods, but were composed at brief intervals, one after the other, not long after the destruction of Jerusalem and the fall of the kingdom of Judah, and in the order in which they have been transmitted to us. What gives special support to this conclusion is the circumstance that, throughout these Lamentations, there is no possibility of mistaking the expression of grief, still fresh in the writer's mind, over the horrors of that fearful catastrophe. The assumption, however, that the prophet, in the picture he draws, had before his eyes the ruins of the city, and the misery of those who had been left behind, cannot be certainly made out from a consideration of the contents of the poems. But there seems to be no doubt that Jeremiah composed them in the interval between the destruction of Jerusalem and his involuntary departure to Egypt. There is no tenable ground for the confident assertion of Ewald, that they were composed in Egypt; for the passages, Jer 1:3; Jer 4:18., Lam 5:5, Lam 5:9, do not mean that the writer was then living among the fugitives who had fled in such vast multitudes to Egypt, partly before and partly after the destruction of the city.

Position of the Lamentations in the Canon
The separation of the Lamentations from the book of the prophecies of Jeremiah, and their reception into the third division of the Old Testament canon (the Kethubim), - which Kalkschmidt and Thenius, in complete misunderstanding of the principle on which the tripartition of the canon is founded, would bring to bear as an argument against their having been composed by Jeremiah, - are