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 from the time of Saul's persecution. When Saul sent and they (those who were sent by him) watched the house in order to slay him (David); it therefore belongs to the time spoken of in 1Sa 19:11. This inscription is no more intended to imply that the Psalm was composed on that night before the flight, which was rendered possible by the artifice of Michal, than the inscription of Ps 51 is meant to imply that the origin of the Psalm was coincident with the arrival of Nathan. The בּ of such inscriptions only sets forth in a general way the historical groundwork of the song. If we consider the contents of the Psalm from this point of view, we shall obtain a tolerably distinct picture of the situation. We must imagine that Saul, even before he issued that command to watch David's house the night through and to slay him in the morning, i.e., to assassinate him behind Michal's back (1Sa 19:11), sought to get rid of him in some more secret way; that the venal men of his court, themselves not less ill-disposed towards David, had offered him their hand for the deed; and that in consequence of this, great activity, which was probably seen through by him whose life was threatened, was observable in Gibea, and that more especially every evening, when the bandits strolled through the city in order to meet with the dreaded rival and give him his deathblow.