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 but not merely where the utterances of the prophets are in general terms reproduced, as at Jdg 6:8-10; 2Ki 17:13; 2Ki 21:10-15, but also elsewhere in most of the prophetic discourses which we read in the Books of Kings and Chronicles, the style of the historian makes itself perceptible. Consequently (as also Caspari in his work on the Syro-Ephraimite War, 1849, finds) the discourses in the Chronicles, apart from those which are common to them, bear an altogether different homogeneous character from those of the Book of Kings. It is the same as with the speeches, for instance, which are recorded in Thucydides, Dionysius of Halicarnassus, Livy, and other Greek and Roman historians. Classen may be right in the opinion, that the speeches in Thucydides are not mere inventions, but that, nevertheless, as they lie before us, they are the work of the historian; even the letters that passed between Pausanias and Xerxes bear his stamp, although he composed them on the ground of the verbal reports of the Spartans. It is thus also in the speeches found in Tacitus. They are more Ciceronian than his own style is, and the discourses of Germans have less elaborated periods than those of the Romans; but so greatly was the writing of history by the ancients influenced by this custom of free reproduction, that even a speech of the Emperor Claudius, which is found engraven on brass, is given by Tacitus not in this its original, but in another and freer form, assimilated to his own manner of representation. So also sacred history, which in this respect follows the general ancient custom, depends not on the identity of the words, but of the spirit: it does not feign what it represents the historical person as saying, it follows traditions; but yet it is the power of its own subjectivity which thus recalls the past in all that was essential to it in actual life. The aim is not artistically to represent the imitation which is made as if it were genuine. The arts by which it is sought to impart to that which is introduced into a more recent period the appearance of genuineness, were unknown to antiquity. No pseudonymous work of antiquity shows any such imitation of an ancient style as, e.g., does Meinhold's Bernsteinhexe, or such a forgery as Wagenfeld's Sanchuniathon. The historians reproduce always in their own individual way, without impressing on the speeches of different persons any distinct individual character. They abstain from every art aimed at the concealment of the actual facts of the case. It is thus also with the author of the Book of Koheleth. As the author of the “Wisdom of Solomon” openly gives himself out to be an Alexandrian, who makes Solomon his organ, so the author of the