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 rightly maintained by Keil, against Knobel, their filling in, i.e., their bordering, setting. Accordingly, milleth will be a synon. technical expression: the description, passing from the figure of the dove, says further of the eyes, that they are firm on (in) their setting; על is suitable, for the precious stone is laid within the casket in which it is contained. Hitzig has, on the contrary, objected that מלאת and מלאים denote filling up, and thus that milleth cannot be a filling up, and still less the place thereof. But as in the Talm. מוּליתא signifies not only fulness, but also stuffed fowls or pies, and as πλήρωμα in its manifold aspects is used not only of that with which anything is filled, but also of that which is filled (e.g., of a ship that is manned, and Eph 1:23 of the church in which Christ, as in His body, is immanent), - thus also milleth, like the German “Fassung,” may be used of a ring-casket (funda or pala) in which the precious stone is put. That the eyes are like a precious stone in its casket, does not merely signify that they fill the sockets, - for the bulbus of the eye in every one fills the orbita, - but that they are not sunk like the eyes of one who is sick, which fall back on their supporting edges in the orbita, and that they appear full and large as they press forward from wide and open eyelids. The cheeks are next described.

Verse 13
Sol 5:13 13a His cheeks like a bed of sweet herbs,        Towers of spicy plants. A flower-bed is called ערוּגה, from ערג, to be oblique, inclined. His cheeks are like such a soft raised bed, and the impression their appearance makes is like the fragrance which flows from such a bed planted with sweet-scented flowers. Migedaloth are the tower-like or pyramidal mounds, and merkahhim are the plants used in spicery. The point of comparison here is thus the soft elevation; perhaps with reference to the mingling of colours, but the word chosen (merkahhim) rather refers to the lovely, attractive, heart-refreshing character of the impression. The Venet., keeping close to the existing text: αἱ σιαγόνες αὐτοῦ ὡς πρασιὰ τοῦ ἀρώματος πύργοι ἀρωματισμῶν (thus not a̓ρωματιστῶν] according to Gebhardt's just conjecture). But is the punctuation here correct? The sing. כערוגת is explained from this, that the bed is presented as sloping from its height downward on two parallel sides; but the height would then be the nose dividing the face, and the plur. would thus be more suitable; and the lxx, Symm., and other ancient translators have, in fact, read כערוגת. But still less is the phrase migdeloth merkahhim to be comprehended; for a tower, however diminutive it may be, it not a proper figure for a soft elevation, nor even a graduated flowery walk, or a terraced flowery hill, - a tower always