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 to pluck; the Aethiop. trans. ararku karbê, I have plucked myrrh; for the Aethiop. has arara instead of simply ארה. בּשׂמי is here שׂבּם deflected. While בּשׂם, with its plur. besâmim, denotes fragrance in general, and only balsam specially, bāsām = (Arab.) bashâm is the proper name of the balsam-tree (the Mecca balsam), amyris opobalsamum, which, according to Forskal, is indigenous in the central mountain region of Jemen (S. Arabia); it is also called (Arab.) balsaman; the word found its way in this enlarged form into the West, and then returned in the forms בּלסמון, אפּופלסמון, אפּלרלסמא (Syr. afrusomo), into the East. Balsam and other spices were brought in abundance to King Solomon as a present by the Queen of Sheba, 1Ki 10:10; the celebrated balsam plantations of Jericho (vid., Winer's Real-W.), which continued to be productive till the Roman period, might owe their origin to the friendly relations which Solomon sustained to the south Arab. princess. Instead of the Indian aloe, Sol 4:14, the Jamanic balsam is here connected with myrrh as a figure of Shulamith's excellences. The plucking, eating, and drinking are only interchangeable figurative descriptions of the enjoyment of love. “Honey and milk,” says Solomon, Sol 4:11, “is under thy tongue.” יער is like יערה,   1Sa 14:27, the comb (favus) or cells containing the honey, - a designation which has perhaps been borrowed from porous lava. With honey and milk “under the tongue” wine is connected, to which, and that of the noblest kind, Sol 7:10, Shulamith's palate is compared. Wine and milk together are οἰνόγαλα, which Chloe presents to Daphnis (Longus, i. 23). Solomon and his Song here hover on the pinnacle of full enjoyment; but if one understands his figurative language as it interprets itself, it here also expresses that delight of satisfaction which the author of Psa 19:6 transfers to the countenance of the rising sun, in words of a chaste purity which sexual love never abandons, in so far as it is connected with esteem for a beloved wife, and with the preservation of mutual personal dignity. For this very reason the words of Solomon, 1a, cannot be thought of as spoken to the guests. Between Sol 4:16 and Sol 5:1 the bridal night intervenes. The words used in 1a are Solomon's morning salutation to her who has now wholly become his own. The call addressed to the guests at the feast is given forth on the second day of the marriage, which, according to ancient custom, Gen 29:28; Jdg 14:12, was wont to be celebrated for seven days, Tob. 11:18. The dramatical character of the Song leads to this result, that the pauses are passed over, the scenes are quickly changed, and the times appear to be continuous.