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 (Schultens); the poet confirms the praise of the husband by referring it to the general ground of its reason: 30 ש Grace is deceit; and beauty, vanity -        A wife that feareth Jahve, she shall be praised. Grace is deceit, because he who estimates the works of a wife merely by the loveliness of her external appearance, is deceived by it; and beauty is vanity, vanitas, because it is nothing that remains, nothing that is real, but is subject to the law of all material things - transitoriness. The true value of a wife is measured only by that which is enduring, according to the moral background of its external appearance; according to the piety which makes itself manifest when the beauty of bodily form has faded away, in a beauty which is attractive. יראת (with Makkeph following), is here the connective form of יראה (fem. of ירא). The Hithpa. תתהלּל is here manifestly (Pro 27:2) not reflexive, but representative of the passive (cf. Pro 12:8, and the frequently occurring מהלּל, laudatus = laudandus), nowhere occurring except in the passage before us. In itself the fut. may also mean: she will be praised = is worthy of praise, but the jussive rendering (Luther: Let her be praised) is recommended by the verse which follows:

Verse 31
Pro 31:31 31 ת Give to her of the fruit of her hands;        And let her works praise her in the gates! The fruit of her hands is the good which, by her conduct, she has brought to maturity - the blessing which she has secured for others, but, according to the promise (Isa 3:10), has also secured for her own enjoyment. The first line proceeds on the idea that, on account of this blessing, she herself shall rejoice. תּנוּ־להּ (with Gaja, after Metheg-Setzung, §37) is not equivalent to give to her honour because of...; for in that case, instead of the ambiguous מן, another preposition - such e.g., as על - would have been used; and so תּנוּ, of itself, cannot be equivalent to תּנּוּ