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 Also in 20b we are not to think of alms. Here Hitzig rightly: she stretches out to him both of her hands, that he might grasp them, both of them, or whichever he may. She does not throw to him merely a gift from a distance, but above all she gives to him to experience her warm sympathy (cf. Eze 16:49). Here, as at 19a, שׁלחה is punctuated (with Dagesh) as Piel. The punctuation supposes that the author both times not unintentionally made use of the intensive form. This one verse (20) is complete in itself as a description of character; and the author has done well in choosing such strong expressions, for, without this sympathy with misery and poverty, she, so good and trustworthy and industrious, might indeed be pleasing to her husband, but not to God. One could almost wish that greater expansion had been given to this one feature in the picture.

Verse 21
But the poet goes on to describe her fruitful activity in the nearest sphere of her calling: 21 ל She is not afraid of the snow for her house;        For her whole house is clothed in scarlet. A fall of snow in the rainy season of winter is not rare in Palestine, the Hauran, and neighbouring countries, and is sometimes accompanied with freezing cold. She sees approaching the cold time of the year without any fear for her house, even though the season bring intense cold; for her whole house, i.e., the whole of the members of her family, are לבשׁ שׁנים. The connection is accusatival (Venet. ἐνδεδυμένος ἐρυθρά), as at 2Sa 15:32; Eze 9:2-3. שׁני, from שׁנה, to shine, glance clear, or high red, and is with or without תולעת the name of the colour of the Kermes worm, crimson or scarlet, perhaps to be distinguished from ארגּמן, the red-purple shell colour, and תּכלת, the blue. שׁנים are clothing or material coloured with such שׁני (bright red) (vid., at Isa 1:18). The explanation of the word by dibapha is inadmissible, because the doubled colouring, wherever it is mentioned, always refers to the purple, particularly that of Tyre (dibapha Tyria), not to the scarlet. But why does the poet name scarlet-coloured clothing? On