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 for labour, when the labourers gather together food, and feed in a truly motherly way the helpless. שׁפן, translated arbitrarily in the Venet. by ἐχῖνοι, in the lxx by χοιρογρύλλιοι, by the Syr. and Targ. here and at Ps 104 by חגס, and by Jerome by lepusculus (cf. λαγίδιον), both of which names, here to be understood after a prevailing Jewish opinion, denote the Caninichen (Luther), Latin cuniculus (κόνικλος), is not the kaninchen [rabbit], nor the marmot, χοιρογρύλλιος (C. B. Michaelis, Ziegler, and others); this is called in Arab. yarbuw'; but שׁפן is the wabr, which in South Arab. is called thufun, or rather thafan, viz., the klippdachs (hyrax syriacus), like the marmot, which lives in societies and dwells in the clefts of the mountains, e.g., at the Kedron, the Dead Sea, and at Sinai (vid., Knobel on Lev 11:5; cf. Brehm's Thierleben, ii. p. 721ff., the Illustrirte Zeitung, 1868, Nr. 1290). The klippdachs are a weak little people, and yet with their weakness they unite the wisdom that they establish themselves among the rocks. The ants show their wisdom in the organization of labour, here in the arranging of inaccessible dwellings.

Verse 27
Thirdly, the locusts belong to the class of the wise little folk: these have no king, but notwithstanding that, there is not wanting to them guidance; by the power and foresight of one sovereign will they march out as a body, חצץ, dividing, viz., themselves, not the booty (Schultens); thus: dividing themselves into companies, ordine dispositae, from חצץ, to divide, to fall into two (cogn. חצה, e.g., Gen 32:7) or more parts; Mühlau, p. 59-64, has thoroughly investigated this whole wide range of roots. What this חצץ denotes is described in Joe 2:7 : “Like mighty men they hunt; like men of war they climb the walls; they march forward every one on his appointed way, and change not their paths.” Jerome narrates from his own observation: tanto ordine ex dispositione jubentis (lxx at this passage before us: ἀφ ̓ ἑνὸς κελεύσματος εὐτάκτως) volitant, ut instar tesserularum, quae in pavimentis artificis figuntur manu,