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 particularly aims at - which in themselves, and especially with that which goes on in their depths, are impenetrable and unsearchable. The proverb is a warning against the delusion of being flattered by the favour of the king, which may, before one thinks of it, be withdrawn or changed even into the contrary; and a counsel to one to take heed to his words and acts, and to see to it that he is influenced by higher motives than by the fallacious calculation of the impression on the view and disposition of the king. The ל in both cases is the expression of the reverence, as e.g., at 2Ch 9:22. וארץ, not = והארץ, but like Isa 26:19; Isa 65:17, for וארץ, which generally occurs only in the st. constr.

Verses 4-5
There now follows an emblematic (vid., vol. i. p. 10) tetrastich: 4 Take away the dross from silver,   So there is ready a vessel for the goldsmith; 5 Take away the wicked from the king,    And his throne is established by righteousness. The form הגו (cf. the inf. Poal הגו, Isa 59:13) is regarded by Schultens as showing a ground-form הגו; but there is also found e.g., עשׂו, whose ground-form is עשׂי; the verb הגה, R. הג (whence Arab. hajr, discedere), cf. יגה (whence הגה, semovit, 2Sa 20:13 = Syr. âwagy, cf. Arab. âwjay, to withhold, to abstain from), signifies to separate, withdraw; here, of the separation of the סיגים, the refuse, i.e., the dross (vid., regarding the plena scriptio, Baer's krit. Ausg. des Jesaia, under Pro 1:22); the goldsmith is designated by the word צרף, from צרף morf, to turn, change, as he who changes the as yet drossy metal by means of smelting, or by purification in water, into that which is pure. In 5a הגה is, as at Isa 27:8, transferred to a process of moral purification; what kind of persons are to be removed from the neighbourhood of the king is shown by Isa 1:22-23. Here also (as at Isa. l.c.) the emblem or figure of Pro 25:4 is followed in Pro 25:5 by its moral antitype aimed at. The punctuation of both verses is wonderfully fine and excellent. In Pro 25:4, ויצא is not pointed ויצא, but as the consecutive modus ויּצא; this first part of the proverb refers to a well-known process of art: the dross is separated from the silver (inf. absol., as Pro 12:7; Pro 15:22), and so a vessel (utensil) proceeds from the goldsmith, for he