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 signifies (vid., at Pro 6:22) meditation and speech, here sorrowful thought and sorrowful complaint (1Sa 1:16; Psa 55:18; cf. הגה, הגיג), e.g., over the exhausted purse, the neglected work, the anticipated reproaches, the diminishing strength. In the connection פּצעים חנּם (cf. Psa 35:19) the accus. adv. חנם (French gratuitement) represents the place of an adjective: strokes which one receives without being in the situation from necessity, or duty to expect them, strokes for nothing and in return for nothing (Fleischer), wounds for a long while (Oetinger). חכללוּת עינים is the darkening (clouding) of the eyes, from חצל, to be dim, closed, and transferred to the sensation of light: to be dark (vid., at Gen 49:12; Psa 10:8); the copper-nose of the drunkard is not under consideration; the word does not refer to the reddening, but the dimming of the eyes, and of the power of vision. The answer, Pro 23:30, begins, in conformity with the form of the question, with ל (write למאחרים, with Gaja to ל, according to Metheg-Setzung, §20, Michlol 46b): pain, and woe, and contention they have who tarry late at the wine (cf. Isa 5:11), who enter (viz., into the wine-house, Ecc 2:4, the house of revelry) “to search” mingled drink (vid., at Pro 9:2; Isa 5:22). Hitzig: “they test the mixing, as to the relation of the wine to the water, whether it is correct.” But לחקור is like גּבּרים, Isa 5:22, meant in mockery: they are heroes, viz., heroes in drinking; they are searchers, such, namely, as seek to examine into the mixed wine, or also: thoroughly and carefully taste it (Fleischer). The evil consequences of drunkenness are now registered. That one may not fall under this common sin, the poet, Pro 23:31, warns against the attraction which the wine presents to the sight and to the sense of taste: one must not permit himself to be caught as a prisoner by this enticement, but must maintain his freedom against it. התאדּם, to make, i.e., to show oneself red, is almost equivalent to האדים; and more than this, it presents the wine as itself co-operating and active by its red play of colours (Fleischer). Regarding the antiptosis (antiphonesis): Look not on the wine that is..., vid., at Gen 1:3; yet here, where ראה means not merely “to see,” but “to look at,” the case is somewhat different. In 31b, one for the most part assumes that עינו signifies the eye of the wine, i.e., the pearls which play