Page:03.BCOT.KD.HistoricalBooks.B.vol.3.LaterProphets.djvu/979



Hupfeld has objected that these strophes, as an aggregate formed of a symmetrical number of stichs, are opposed to the nature of the rhythm = parallelism, which cannot stand on one leg, but needs two; but this objection is as invalid as if one should say, Because every soldier has two legs, therefore soldiers can only march singly, and not in a row and company. It may be seen, e.g., from Job 36:22-25, Job 36:26-29, Job 36:30-33, where the poet begins three times with הן, and three times the sentences so beginning are formed of eight lines. Shall we not say there are three eight-line strophes beginning with הן? Nevertheless, we are far from maintaining that the book of Job consists absolutely of speeches in the strophe and poetic form. It breaks up, however, into paragraphs, which not unfrequently become symmetrical strophes. That neither the symmetrical nor mixed strophe-schema is throughout with strict unexceptional regularity carried out, arises from the artistic freedom which the poet was obliged to maintain in order not to sacrifice the truth as well as the beauty of the dialogue. Our translation, arranged in paragraphs, and the schemata of the number of stichs in the paragraph placed above each speech, will show that the arrangement of the whole is, after all, far more strophic than its dramatic character allows, according to classic and modern poetic art. It is similar in Canticles, with the melodramatic character of which it better agrees. In both cases it is explained from the