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 world. If one ponders these passages of Job's speeches, he will not be able to say that the speech of Jehovah, in the exhibition of the creative power and wisdom of God, which is its theme, would make Job conscious of anything which was previously unknown to him; and it is accordingly asked, What, then, is there that is new in the speech of Jehovah by which the great effect is brought about, that Job humbles himself in penitence, and becomes ready for the act of redemption which follows? It has indeed never occurred to Job to desire to enter into a controversy with God concerning the works of creation; he is far from the delusion of being able to stand such a test; he knows in general, that if God were willing to contend with him, he would not be able to answer God one in a thousand, Job 9:3. And yet God closely questioned him, and thereby Job comes to the perception of his sin - how comes it to pass? Has the plot of the drama perhaps failed in this point? Has the poet made use of means unsuited to the connection of the whole, to bring about the needful effect, viz., the repentance of Job, - because, perhaps, the store of his thoughts was exhausted? But this poet is not so poor, and we shall therefore be obliged to try and understand the disposition of the speech of Jehovah before we censure it. When one of Job's last words before the appearing of Jehovah was the word שׁדי יענני, Job thereby desired God's decision concerning the testimony of his innocence. This wish is in itself not sinful; yea, it is even a fruit of his hidden faith, when he casts the look of hope away from his affliction and the accusation of the friends, into the future to God as his Vindicator and Redeemer. But that wish becomes sinful when he looks upon his affliction as a de facto accusation on the part of God, because he cannot think of suffering and sin as separable, and because he is conscious of his innocence, looks upon it as a decree of God, his opponent and his enemy,