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 perished. Are we to suppose, with Eichhorn and Olshausen, that the poet, in the heat of discourse, forgets what he has laid down in the prologue? When we consider that this poet, within the compass of his work, - a work into which he has thrown his whole soul, - has allowed no anachronism, and no reference to anything Israelitish that is contradictory to its extra-Israelitish character, to escape him, such forgetfulness is very improbable; and when we, moreover, bear in mind that he often makes the friends refer to the destruction of Job's children (as Job 8:4; Job 15:30; Job 18:16), it is altogether inconceivable. Hence Schröring has proposed the following explanation: “My soul a substitution of which Hahn is also guilty is strange to my wife; my entreaty does not even penetrate to the sons of my body, it cannot reach their ear, for they are long since in Sheôl.” But he himself thinks this interpretation very hazardous and insecure; and, in fact, it is improbable that in the division, Job 19:13, where Job complains of the neglect and indifference which he now experiences from those around him, בטני בני should be the only dead ones among the living, in which case it would moreover be better, after the Arabic version, to translate: “My longing is for, or: I yearn after, the children of my body.” Grandchildren (Hirz., Ew., Hlgst. Hahn) might be more readily thought of; but it is not even probable, that after having introduced the ruin of all of Job's children, the poet would represent their children as still living, some mention of whom might then at least be expected in the epilogue. Others, again (Rosenm. Justi, Gleiss), after the precedent of the lxx (υἱοὶ παλλακίδων μου), understand the sons of concubines (slaves). Where, however, should a trace be found of the poet having conceived of his hero as a polygamist, - a hero who is even a model of chastity and continence (Job 31:1)? But must בטני בני really signify his sons or grandsons?