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 drawn, with Waw indicative of the train of thought (Ew. §348). Accordingly, we regard אם־אקוה in Job 17:13 as antecedent (denoted by Dechî, i.e., Tiphcha anterius, just as Psa 139:8) and ביתי שׁאול as conclusion; the Waw apod. is wanting, as e.g., Job 9:27., and the structure of the sentence is similar to Job 9:19. If I hope, says Job, “Sheôl is my house” = this is the substance of my hope, that Sheôl will be my house. In darkness he has (i.e., in his consciousness, which anticipates that which is before him as near and inevitable) fixed his resting-place (poet. strata, as Psa 132:3). To corruption and the worm he already cries, father! and, mother! sister! It is, as it seems, that bold figure which is indicated in the Job-like Ps. 88:19 (“my acquaintances are the realms of darkness”), which is here (comp. Job 30:29) worked out; and, differently applied, perhaps Pro 7:4 echoes it. Since the fem. רמּה is used as the object addressed by אמי and אחותי, which is besides, on account of its always collective meaning (in distinction from תילעת), well suited for this double apostrophe, we may assume that the poet will have used a masc. object for אבי; and there is really no reason against שׁחת here being, with Ramban, Rosenm., Schlottm., Böttcher (de inferis, §179), derived not from שׁוּח (as נחת, Job 17:16, from נוח), but from שׁחת (as נחת, Isa 30:30, from נחת), especially since the old versions transl. שׁחת also elsewhere διαφθορά (putredo), and thereby prove that both derivations accord with the structure of the language. Now already conscious of his belonging to corruption and the worm as by the closest ties of relationship, he asks: Itaque ubi tandem spes mea? The accentuation connects אפו to the following word, instead of uniting it with איּה, just as in Isa 19:12; Luzzatto (on Isa 19:12) considers this as a mistake in the Codd., and certainly the accentuation Jdg 9:38 (איה Kadma, אפוא Mercha) is not according to our model, and even in this