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 “and he overlaid it with gold,” can only refer to the altar mentioned in the previous verse, the gilding of which has not yet been noticed, however surprising the separation of these words from 1Ki 6:20 may be. - In 1Ki 6:22 what has already been stated with regard to the gilding is repeated once more in a comprehensive manner, which brings this subject to a close. The whole house (כּל־הבּית) is the Holy Place and the Most Holy, but not the porch or hall, as this is expressly distinguished from the house. המּזבּח, the whole altar, not merely a portion of it.

Verses 23-28
1Ki 6:23-28The large cherub-figures in the Most Holy Place. - 1Ki 6:23. He made (caused to be made) in the hinder room two cherubs of olive wood, i.e., wood of the oleaster or wild olive-tree, which is very firm and durable, and, according to 2Ch 3:10, צעצעים מעשׂה, i.e., according to the Vulgate, opus statuarium, a peculiar kind of sculpture, which cannot be more precisely defined, as the meaning of צוּע is uncertain. “Ten cubits was the height of it” (i.e., of the one and of the other). The figures had a human form, like the golden cherubs upon the ark of the covenant, and stood upright upon their feet (2Ch 3:13), with extended wings of five cubits in length, so that one wing of the one reached to one wing of the other in the centre of the room, and the other wing of each reached to the opposite wall, and consequently the four extended wings filled the entire breadth of the Most Holy Place ( a breadth of twenty cubits), and the two cherubs stood opposite to one another and ten cubits apart. The wings were evidently fastened to the back and placed close to one another upon the shoulder-blades, so that the small space between their starting-points is not taken into consideration in the calculation of their length. The figures were completely overlaid with gold. The ark of the covenant was placed between these cherubs, and under the wings which pointed towards one another. As they were made like those upon the ark, they had evidently the same meaning, and simply served to strengthen the idea which was symbolized in the cherub, and which we have expounded in the Commentary