On the Sublime and Beautiful


 * Introductory Note


 * Part I
 * Chapter 1: Novelty
 * Chapter 2: Pain and Pleasure
 * Chapter 3: The Difference Between the Removal of Pain, and Positive Pleasure
 * Chapter 4: Of Delight and Pleasure as Opposed to Each Other
 * Chapter 5: Joy and Grief
 * Chapter 6: Of the Passions Which Belong to Self-Preservation
 * Chapter 7: Of the Sublime
 * Chapter 8: Of the Passions Which Belong to Society
 * Chapter 9: The Final Cause of the Difference Between the Passions Belonging to Self-Preservation and Those Which Regard the Society of the Sexes
 * Chapter 10: Of Beauty
 * Chapter 11: Society and Solitude
 * Chapter 12: Sympathy, Imitation, and Ambition
 * Chapter 13: Sympathy
 * Chapter 14: The Effects of Sympathy in the Distresses of Others
 * Chapter 15: Of the Effects of Tragedy
 * Chapter 16: Imitation
 * Chapter 17: Ambition
 * Chapter 18: The Recapitulation
 * Chapter 19: The Conclusion


 * Part II
 * Chapter 1: Of the Passion Caused by the Sublime
 * Chapter 2: Terror
 * Chapter 3: Obscurity
 * Chapter 4: Of the Difference Between Clearness and Obscurity with Regard to the Passions
 * Chapter 5: The Same Subject Continued
 * Chapter 6: Power
 * Chapter 7: Privation
 * Chapter 8: Vastness
 * Chapter 9: Infinity
 * Chapter 10: Succession and Uniformity
 * Chapter 11: Magnitude in Building
 * Chapter 12: Infinity in Pleasing Objects
 * Chapter 13: Difficulty
 * Chapter 14: Magnificence
 * Chapter 15: Light
 * Chapter 16: Light in Building
 * Chapter 17: Colour Considered as Productive of the Sublime
 * Chapter 18: Sound and Loudness
 * Chapter 19: Suddenness
 * Chapter 20: Intermitting
 * Chapter 21: The Cries of Animals
 * Chapter 22: Smell and Taste. Bitters and Stenches
 * Chapter 23: Feeling. Pain


 * Part III
 * Chapter 1: Of Beauty
 * Chapter 2: Proportion not the Cause of Beauty in Vegetables
 * Chapter 3: Proportion not the Cause of Beauty in Animals
 * Chapter 4: Proportion not the Cause of Beauty in the Human Species
 * Chapter 5: Proportion Further Considered
 * Chapter 6: Fitness not the Cause of Beauty
 * Chapter 7: The Real Effects of Fitness
 * Chapter 8: The Recapitulation
 * Chapter 9: Perfection not the Cause of Beauty
 * Chapter 10: How Far the Idea of Beauty May be Applied to the Qualities of the Mind
 * Chapter 11: How Far the Idea of Beauty May be Applied to Virtue
 * Chapter 12: The Real Cause of Beauty
 * Chapter 13: Beautiful Objects Small
 * Chapter 14: Smoothness
 * Chapter 15: Gradual Variation
 * Chapter 16: Delicacy
 * Chapter 17: Beauty in Colour
 * Chapter 18: Recapitulation
 * Chapter 19: The Physiognomy
 * Chapter 20: The Eye
 * Chapter 21: Ugliness
 * Chapter 22: Grace
 * Chapter 23: Elegance and Speciousness
 * Chapter 24: The Beautiful in Feeling
 * Chapter 25: The Beautiful in Sounds
 * Chapter 26: Taste and Smell
 * Chapter 27: The Sublime and Beautiful Compared


 * Part IV
 * Chapter 1: Of the Efficient Cause of the Sublime and Beautiful
 * Chapter 2: Association
 * Chapter 3: Cause of Pain and Fear
 * Chapter 4: Continued
 * Chapter 5: How the Sublime is Produced
 * Chapter 6: How Pain Can be a Cause of Delight
 * Chapter 7: Exercise Necessary for the Finer Organs
 * Chapter 8: Why Things not Dangerous Produce a Passion Like Terror
 * Chapter 9: Why Visual Objects of Great Dimensions are Sublime
 * Chapter 10: Unity, Why Requisite to Vastness
 * Chapter 11: The Artificial Infinite
 * Chapter 12: The Vibrations Must be Similar
 * Chapter 13: The Effects of Succession in Visual Objects Explained
 * Chapter 14: Locke’s Opinion Concerning Darkness Considered
 * Chapter 15: Darkness Terrible in its Own Nature
 * Chapter 16: Why Darkness is Terrible
 * Chapter 17: The Effects of Blackness
 * Chapter 18: The Effects of Blackness Moderated
 * Chapter 19: The Physical Cause of Love
 * Chapter 20: Why Smoothness is Beautiful
 * Chapter 21: Sweetness, Its Nature
 * Chapter 22: Sweetness, Relaxing
 * Chapter 23: Variation, Why Beautiful
 * Chapter 24: Concerning Smallness
 * Chapter 25: Of Colour


 * Part V
 * Chapter 1: Of Words
 * Chapter 2: The Common Effects of Poetry, Not by Raising Ideas of Things
 * Chapter 3: General Words Before Ideas
 * Chapter 4: The Effect of Words
 * Chapter 5: Examples that Words May Affect Without Raising Images
 * Chapter 6: Poetry not Strictly an Imitative Art
 * Chapter 7: How Words Influence the Passions