Literary Taste: How to Form It/Chapter XII

After dealing with the formation of a library of authors up to John Dryden, I must logically arrange next a scheme for the period covered roughly by the eighteenth century. There is, however, no reason why the student in quest of a library should follow the chronological order. Indeed, I should advise him to attack the nineteenth century before the eighteenth, for the reason that, unless his taste happens to be peculiarly "Augustan," he will obtain a more immediate satisfaction and profit from his acquisitions in the nineteenth century than in the eighteenth. There is in eighteenth-century literature a considerable proportion of what I may term "unattractive excellence," which one must have for the purposes of completeness, but which may await actual perusal until more pressing and more human books have been read. I have particularly in mind the philosophical authors of the century.

Prose writers
The principal omissions here are Jeremy Collier, whose outcry against the immorality of the stage is his slender title to remembrance; Richard Bentley, whose scholarship principally died with him, and whose chief works are no longer current; and "Junius," who would have been deservedly forgotten long ago had there been a contemporaneous Sherlock Holmes to ferret out his identity.