John Bull's Other Island/Act IV, § i

The parlor in Cornelius Doyle's house. It communicates with the garden by a half glazed door. The fireplace is at the other side of the room, opposite the door and windows, the architect not having been sensitive to draughts. The table, rescued from the garden, is in the middle; and at it sits Keegan, the central figure in a rather crowded apartment.

Nora, sitting with her back to the fire at the end of the table, is playing backgammon across its corner with him, on his left hand. Aunt Judy, a little further back, sits facing the fire knitting, with her feet on the fender. A little to Keegan's right, in front of the table, and almost sitting on it, is Barney Doran. Half a dozen friends of his, all men, are between him and the open door, supported by others outside. In the corner behind them is the sofa, of mahogany and horsehair, made up as a bed for Broadbent. Against the wall behind Keegan stands a mahogany sideboard. A door leading to the interior of the house is near the fireplace, behind Aunt Judy. There are chairs against the wall, one at each end of the sideboard. Keegan's hat is on the one nearest the inner door; and his stick is leaning against it. A third chair, also against the wall, is near the garden door.

There is a strong contrast of emotional atmosphere between the two sides of the room. Keegan is extraordinarily stern: no game of backgammon could possibly make a man's face so grim. Aunt Judy is quietly busy. Nora it trying to ignore Doran and attend to her game.

On the other hand Doran is reeling in an ecstasy of mischievous mirth which has infected all his friends. They are screaming with laughter, doubled up, leaning on the furniture and against the walls, shouting, screeching, crying.

AUNT JUDY [as the noise lulls for a moment]. Arra hold your noise, Barney. What is there to laugh at?

DORAN. It got its fut into the little hweel&mdash;[he is overcome afresh; and the rest collapse again].

AUNT JUDY. Ah, have some sense: you're like a parcel o childher. Nora, hit him a thump on the back: he'll have a fit.

DORAN [with squeezed eyes, exsuflicate with cachinnation] Frens, he sez to dhem outside Doolan's: I'm takin the gintleman that pays the rint for a dhrive.

AUNT JUDY. Who did he mean be that?

DORAN. They call a pig that in England. That's their notion of a joke.

AUNT JUDY. Musha God help them if they can joke no better than that!

DORAN [with renewed symptoms]. Thin&mdash;

AUNT JUDY. Ah now don't be tellin it all over and settin yourself off again, Barney.

NORA. You've told us three times, Mr Doran.

DORAN. Well but whin I think of it&mdash;!

AUNT JUDY. Then don't think of it, alanna.

DORAN. There was Patsy Farrll in the back sate wi dhe pig between his knees, n me bould English boyoh in front at the machinery, n Larry Doyle in the road startin the injine wid a bed winch. At the first puff of it the pig lep out of its skin and bled Patsy's nose wi dhe ring in its snout. [Roars of laughter: Keegan glares at them]. Before Broadbint knew hwere he was, the pig was up his back and over into his lap; and bedad the poor baste did credit to Corny's thrainin of it; for it put in the fourth speed wid its right crubeen as if it was enthered for the Gordn Bennett.

NORA [reproachfully]. And Larry in front of it and all! It's nothn to laugh at, Mr Doran.

DORAN. Bedad, Miss Reilly, Larry cleared six yards backwards at wan jump if he cleared an inch; and he'd a cleared seven if Doolan's granmother hadn't cotch him in her apern widhout intindin to. [Immense merriment].

AUNT JUDY, Ah, for shame, Barney! the poor old woman! An she was hurt before, too, when she slipped on the stairs.

DORAN. Bedad, ma'am, she's hurt behind now; for Larry bouled her over like a skittle. [General delight at this typical stroke of Irish Rabelaisianism].

NORA. It's well the lad wasn't killed.

DORAN. Faith it wasn't o Larry we were thinkin jus dhen, wi dhe pig takin the main sthreet o Rosscullen on market day at a mile a minnit. Dh ony thing Broadbint could get at wi dhe pig in front of him was a fut brake; n the pig's tail was undher dhat; so that whin he thought he was putn non the brake he was ony squeezin the life out o the pig's tail. The more he put the brake on the more the pig squealed n the fasther he dhruv.

AUNT JUDY. Why couldn't he throw the pig out into the road?

DORAN. Sure he couldn't stand up to it, because he was spanchelled-like between his seat and dhat thing like a wheel on top of a stick between his knees.

AUNT JUDY. Lord have mercy on us!

NORA. I don't know how you can laugh. Do you, Mr Keegan?

KEEGAN [grimly]. Why not? There is danger, destruction, torment! What more do we want to make us merry? Go on, Barney: the last drops of joy are not squeezed from the story yet. Tell us again how our brother was torn asunder.

DORAN [puzzled]. Whose bruddher?

KEEGAN. Mine.

NORA. He means the pig, Mr Doran. You know his way.

DORAN [rising gallantly to the occasion]. Bedad I'm sorry for your poor bruddher, Misther Keegan; but I recommend you to thry him wid a couple o fried eggs for your breakfast tomorrow. It was a case of Excelsior wi dhat ambitious baste; for not content wid jumpin from the back seat into the front wan, he jumped from the front wan into the road in front of the car. And&mdash;

KEEGAN. And everybody laughed!

NORA. Don't go over that again, please, Mr Doran.

DORAN. Faith be the time the car went over the poor pig dhere was little left for me or anywan else to go over except wid a knife an fork.

AUNT JUDY. Why didn't Mr Broadbent stop the car when the pig was gone?

DORAN. Stop the car! He might as well ha thried to stop a mad bull. First it went wan way an made fireworks o Molly Ryan's crockery stall; an dhen it slewed round an ripped ten fut o wall out o the corner o the pound. [With enormous enjoyment] Begob, it just tore the town in two and sent the whole dam market to blazes. [Nora offended, rises].

KEEGAN [indignantly]. Sir!

DORAN [quickly]. Savin your presence, Miss Reilly, and Misther Keegan's. Dhere! I won't say anuddher word.

NORA. I'm surprised at you, Mr Doran. [She sits down again].

DORAN [refectively]. He has the divil's own luck, that Englishman, annyway; for when they picked him up he hadn't a scratch on him, barrn hwat the pig did to his cloes. Patsy had two fingers out o jynt; but the smith pulled them sthraight for him. Oh, you never heard such a hullaballoo as there was. There was Molly, cryin Me chaney, me beautyful chaney! n oul Mat shoutin Me pig, me pig! n the polus takin the number o the car, n not a man in the town able to speak for laughin&mdash;

KEEGAN [with intense emphasis]. It is hell: it is hell. Nowhere else could such a scene be a burst of happiness for the people.


 * Cornelius comes in hastily from the garden, pushing his way through the little crowd.

CORNELIUS. Whisht your laughin, boys! Here he is. [He puts his hat on the sideboard, and goes to the fireplace, where he posts himself with his back to the chimneypiece].

AUNT JUDY. Remember your behavior, now.


 * Everybody becomes silent, solemn, concerned, sympathetic. Broadbent enters, roiled and disordered as to his motoring coat: immensely important and serious as to himself. He makes his way to the end of the table nearest the garden door, whilst Larry, who accompanies him, throws his motoring coat on the sofa bed, and sits down, watching the proceedings.

BROADBENT [taking off his leather cap with dignity and placing it on the table]. I hope you have not been anxious about me.

AUNT JUDY. Deedn we have, Mr Broadbent. It's a mercy you weren't killed.

DORAN. Kilt! It's a mercy dheres two bones of you left houldin together. How dijjescape at all at all? Well, I never thought I'd be so glad to see you safe and sound again. Not a man in the town would say less [murmurs of kindly assent]. Won't you come down to Doolan's and have a dhrop o brandy to take the shock off?

BROADBENT. You're all really too kind; but the shock has quite passed off.

DORAN [jovially]. Never mind. Come along all the same and tell us about it over a frenly glass.

BROADBENT. May I say how deeply I feel the kindness with which I have been overwhelmed since my accident? I can truthfully declare that I am glad it happened, because it has brought out the kindness and sympathy of the Irish character to an extent I had no conception of.

SEVERAL PRESENT. Oh, sure you're welcome!
 * Sure it's only natural.
 * Sure you might have been kilt.


 * A young man, on the point of bursting, hurries out. Barney puts an iron constraint on his features.

BROADBENT. All I can say is that I wish I could drink the health of everyone of you.

DORAN. Dhen come an do it.

BROADBENT [very solemnly]. No: I am a teetotaller.

AUNT JUDY [incredulously]. Arra since when?

BROADBENT. Since this morning, Miss Doyle. I have had a lesson [he looks at Nora significantly] that I shall not forget. It may be that total abstinence has already saved my life; for I was astonished at the steadiness of my nerves when death stared me in the face today. So I will ask you to excuse me. [He collects himself for a speech]. Gentlemen: I hope the gravity of the peril through which we have all passed&mdash;for I know that the danger to the bystanders was as great as to the occupants of the car&mdash;will prove an earnest of closer and more serious relations between us in the future. We have had a somewhat agitating day: a valuable and innocent animal has lost its life: a public building has been wrecked: an aged and infirm lady has suffered an impact for which I feel personally responsible, though my old friend Mr Laurence Doyle unfortunately incurred the first effects of her very natural resentment. I greatly regret the damage to Mr Patrick Farrell's fingers; and I have of course taken care that he shall not suffer pecuniarily by his mishap. [Murmurs of admiration at his magnanimity, and A Voice "You're a gentleman, sir"]. I am glad to say that Patsy took it like an Irishman, and, far from expressing any vindictive feeling, declared his willingness to break all his fingers and toes for me on the same terms [subdued applause, and "More power to Patsy!"]. Gentlemen: I felt at home in Ireland from the first [rising excitement among his hearers]. In every Irish breast I have found that spirit of liberty [A cheery voice "Hear Hear"], that instinctive mistrust of the Government [A small pious voice, with intense expression, "God bless you, sir!"], that love of independence [A defiant voice, "That's it! Independence!"], that indignant sympathy with the cause of oppressed nationalities broad [A threatening growl from all: the ground-swell of patriotic passion], and with the resolute assertion of personal rights at home, which is all but extinct in my own country. If it were legally possible I should become a naturalized Irishman; and if ever it be my good fortune to represent an Irish constituency in parliament, it shall be my first care to introduce a Bill legalizing such an operation. I believe a large section of the Liberal party would avail themselves of it. [Momentary scepticism]. I do. [Convulsive cheering]. Gentlemen: I have said enough. [Cries of "Go on"]. No: I have as yet no right to address you at all on political subjects; and we must not abuse the warmhearted Irish hospitality of Miss Doyle by turning her sittingroom into a public meeting.

DORAN [energetically]. Three cheers for Tom Broadbent, the future member for Rosscullen!

AUNT JUDY [waving a half knitted sock]. Hip hip hurray!


 * The cheers are given with great heartiness, as it is by this time, for the more humorous spirits present, a question of vociferation or internal rupture.

BROADBENT. Thank you from the bottom of my heart, friends.

NORA [whispering to Doran]. Take them away, Mr Doran [Doran nods].

DORAN. Well, good evenin, Mr Broadbent; an may you never regret the day you wint dhrivin wid Halligan's pig! [They shake hands]. Good evenin, Miss Doyle.

General handshaking, Broadbent shaking hands with everybody effusively. He accompanies them to the garden and can be heard outside saying Goodnight in every inflexion known to parliamentary candidates. Nora, Aunt Judy, Keegan, Larry, and Cornelius are left in the parlor. Larry goes to the threshold and watches the scene in the garden.

NORA. It's a shame to make game of him like that. He's a gradle more good in him than Barney Doran.

CORNELIUS. It's all up with his candidature. He'll be laughed out o the town.

LARRY [turning quickly from the doorway]. Oh no he won't: he's not an Irishman. He'll never know they're laughing at him; and while they're laughing he'll win the seat.

CORNELIUS. But he can't prevent the story getting about.

LARRY. He won't want to. He'll tell it himself as one of the most providential episodes in the history of England and Ireland.

AUNT JUDY. Sure he wouldn't make a fool of himself like that.

LARRY. Are you sure he's such a fool after all, Aunt Judy? Suppose you had a vote! which would you rather give it to? the man that told the story of Haffigan's pig Barney Doran's way or Broadbent's way?

AUNT JUDY. Faith I wouldn't give it to a man at all. It's a few women they want in parliament to stop their foolish blather.

BROADBENT [bustling into the room, and taking off his damaged motoring overcoat, which he put down on the sofa]. Well, that's over. I must apologize for making that speech, Miss Doyle; but they like it, you know. Everything helps in electioneering.

Larry takes the chair near the door; draws it near the table; and sits astride it, with his elbows folded on the back.

AUNT JUDY. I'd no notion you were such an orator, Mr Broadbent.

BROADBENT. Oh, it's only a knack. One picks it up on the platform. It stokes up their enthusiasm.

AUNT JUDY. Oh, I forgot. You've not met Mr Keegan. Let me introjooce you.

BROADBENT [shaking hands effusively]. Most happy to meet you, Mr Keegan. I have heard of you, though I have not had the pleasure of shaking your hand before. And now may I ask you&mdash;for I value no man's opinion more&mdash;what you think of my chances here.

KEEGAN [coldly]. Your chances, sir, are excellent. You will get into parliament.

BROADBENT [delighted]. I hope so. I think so. [Fluctuating] You really think so? You are sure you are not allowing your enthusiasm for our principles to get the better of your judgment?

KEEGAN. I have no enthusiasm for your principles, sir. You will get into parliament because you want to get into it badly enough to be prepared to take the necessary steps to induce the people to vote for you. That is how people usually get into that fantastic assembly.

BROADBENT [puzzled]. Of course. [Pause]. Quite so. [Pause]. Er&mdash; yes. [Buoyant again] I think they will vote for me. Eh? Yes?

AUNT JUDY. Arra why shouldn't they? Look at the people they DO vote for!

BROADBENT [encouraged]. That's true: that's very true. When I see the windbags, the carpet-baggers, the charlatans, the&mdash;the&mdash;the fools and ignoramuses who corrupt the multitude by their wealth, or seduce them by spouting balderdash to them, I cannot help thinking that an honest man with no humbug about him, who will talk straight common sense and take his stand on the solid ground of principle and public duty, must win his way with men of all classes.

KEEGAN [quietly]. Sir: there was a time, in my ignorant youth, when I should have called you a hypocrite.

BROADBENT [reddening]. A hypocrite!

NORA [hastily]. Oh I'm sure you don't think anything of the sort, Mr Keegan.

BROADBENT [emphatically]. Thank you, Miss Reilly: thank you.

CORNELIUS [gloomily]. We all have to stretch it a bit in politics: hwat's the use o pretendin we don't?

BROADBENT [stiffly]. I hope I have said or done nothing that calls for any such observation, Mr Doyle. If there is a vice I detest&mdash;or against which my whole public life has been a protest&mdash;it is the vice of hypocrisy. I would almost rather be inconsistent than insincere.

KEEGAN. Do not be offended, sir: I know that you are quite sincere. There is a saying in the Scripture which runs&mdash;so far as the memory of an oldish man can carry the words&mdash;Let not the right side of your brain know what the left side doeth. I learnt at Oxford that this is the secret of the Englishman's strange power of making the best of both worlds.

BROADBENT. Surely the text refers to our right and left hands. I am somewhat surprised to hear a member of your Church quote so essentially Protestant a document as the Bible; but at least you might quote it accurately.

LARRY. Tom: with the best intentions you're making an ass of yourself. You don't understand Mr Keegan's peculiar vein of humor.

BROADBENT [instantly recovering his confidence]. Ah! it was only your delightful Irish humor, Mr Keegan. Of course, of course. How stupid of me! I'm so sorry. [He pats Keegan consolingly on the back] John Bull's wits are still slow, you see. Besides, calling me a hypocrite was too big a joke to swallow all at once, you know.