How Chopin came to Remsen/Chapter 10

rereading the foregoing deposition I am forced to the conclusion that I was designed by nature neither for a novelist nor a historian. I can see that my narrative fails to be convincing, considered either as a work of fiction or as a statement of fact. But may I not comfort myself with the thought that I have given my testimony conscientiously, and that if the outcome of my literary efforts is unsatisfactory my failure is due rather to the inexplicable phenomena with which I have been obliged to deal than to my own defects as an annalist and witness? I have endeavored to inscribe simply and in chronological order the unadorned tale of my husband's sudden attack of genius and its consequences, and I realize now that my data will not be accepted by the scientific, nor will their arrangement appeal to the artistic. But I have told the truth, and if not the whole truth, at least nothing but the truth. As literature my story belongs to the realistic school and is of the present. As a contribution to science it will have no standing to-day, but I am firmly convinced that the psychologists of the future will read the details of Tom Remsen's case with enlightened interest.

I have felt too deeply the nervous strain of setting down in black and white the story of the greatest crisis in my life to go into details here and now regarding the ups and downs of the long illness that Tom underwent after his triumphant appearance before the Chopin Society.

For two days before he collapsed I saw that he was fighting in grim silence against weakness and fever. He was like a man struggling to overcome an unnatural appetite and growing constantly more weary of the contest. He would stroll with reluctant steps into the music-room, stand for a time gazing defiantly at the piano, with his hands clenched and beads of perspiration on his troubled brow; then he would turn away, meeting my gaze with a melancholy smile, and hurry off to his office or his club, to return to me after a time pale and listless, but always stubbornly silent as to the cause of his evident suffering. Only once before he was forced to take to his bed, where he tossed for a week in delirium, did he refer, even indirectly, to the cause of his disquietude.

"Has Signorina Molatti been here to-day?" he asked me, abruptly, one evening at dinner.

"No, Tom," I answered, a note in my voice that I'm sure he did not like. "Did you expect her?"

"I always expect her," he muttered, speaking more to himself than to me.

That evening the magnetism of the open piano in the music-room proved irresistible to him. To my mingled consternation and delight he played selections from Chopin until long after midnight, the while I sat behind him fascinated by his renditions but appalled by the persistent recurrence of his "seizures." "To-morrow," I said to myself, "I will consult Dr. Woodruff again. Perhaps he has made his diagnosis and can suggest some line of treatment."

But on the morrow Tom was in charge of our family doctor and two trained nurses. The morning had found him hot with fever, and by noon he was out of his head and inclined to be violent. Then followed days and nights of alternating hope and fear, during which there came to me a complete revelation of what the old Tom had been to me, the Tom who had bored me at times—ungrateful woman that I was!—by his practical, unimaginative, inartistic personality. How I treasured a word of encouragement from the doctor or a nurse! How bitterly I repented my former discontent, my disloyal longing for something in Tom's makeup that nature had not vouchsafed to him! It had come to him—this "something"—and it had well-nigh ruined our lives. Whatever it had been, demoniac possession, hypnotism or what-not, it had been a thing of evil, despite the uncanny beauty of its manifestation. In my heart of hearts I craved one of two alternatives, either Tom's death or his restoration to his former self, freed forever from the black shadow of Chopin's genius.

It was not until one afternoon well on in his convalescence that I knew my fondest hopes had been realized. We had betaken ourselves to the library, not to read but to enjoy in an indolent way our new freedom from trained nurses and the discipline of the sickroom. Tom, leaning back comfortably in a reclining-chair and puffing a cigarette, wore on his invalid's face an expression of supreme contentment. Not once, I was glad to note, did his eyes wander to the distant shelf on which stood our Chopin literature, books that I had doomed in my mind to an  when a fitting opportunity for the sacrifice should arise.

"Isn't this cozy?" remarked Tom presently, glancing at me affectionately. "But I suppose I must hasten my recovery, my dear. The Pepper and Salt Trust and other enterprises don't take much stock in sick men."

"Don't worry about business matters, Tom Remsen," I said, with playful sternness. "We can get on very well if you never do another stroke of work in your life."

A shadow passed over Tom's face, and he puffed his cigarette nervously. "I'm not fitted for a life of leisure, my dear," he remarked, grimly. "A man may get into so many kinds of mischief if he isn't busy."

I hastened to change the subject. "Remember, sir, that you are under orders. You are to do as you are told to do. You may not know it, Tom, but the fact is that you and I sail for Europe just as soon as you are strong enough to stand the voyage."

"Where are we going?" he asked, apprehensively. "Not to Paris?"

"No, not to Paris," I answered, understanding him. "We'll spend all our time in Scotland and Ireland. They're the only countries over there that we have not seen, Tom."

The next day I discharged our butler for an indiscretion that he committed at this moment.

"Signorina Molatti," he announced from the doorway of the library, and turning my head I saw the violiniste, with her Cremona under her arm, coming toward us. I glanced at Tom. The two red spots that had leaped into his white cheeks seemed to be an outward manifestation not of joy but of hot anger. I rose and went toward our visitor, a question in my face.

"Will you not forgiva me, signora?" cried Molatti, in soft, pleading tones. "Eet ees what you calla vera bad form, but I hava been so vera unhappy. They tolda me that Signor Remsen was dying. Can you not forgiva me?"

"But he is on the road to recovery, signorina," I said, perfunctorily. It would not do to give way to my inclination to chide this insinuating girl for her presumption. A scene might cause Tom to have a relapse.

"I see," she cried. "And I am so glad! And I hava brought my violin. That the signor would lika to hear the voice of the maestro"

"Stop right there, will you—ah—signorina," exclaimed Tom, gruffly, endeavoring, as I saw, to control his annoyance and show no discourtesy to even an unwelcome guest. "I'm not it, young woman. He's gone away, whoever he was. If he comes back—which God forbid—I'll notify you. But you won't catch me drumming any more on a piano. My musical career is at an end. I'm under the care of a doctor, and he says that I'm on the road to recovery. Forgive me if I have spoken too plainly. You're a very charming young woman, and I admire your—ah—genius. But mine's gone, and I'll take good care that it doesn't come back. If you'd like that piano in the music-room, Signorina Molatti, I'm sure that my wife would be glad to send it over to your apartments. We're through with it—forever!"

I was sorry for the girl. The expression of amazement—even horror—that had come into her dark, expressive face touched my heart, and I laid my hand gently on her arm.

"It's a great mystery, signorina," I whispered to her, as I led her from the library. "I can't explain it to you very clearly, for I don't understand it myself. But Mr. Remsen told you the truth. He is no longer musical. In his normal condition he is the most unmusical man in the world. The Signor Remsen that you have known, with whom you have played duets, is dead—I can hardly believe that he ever existed. Will you, Signorina Molatti, grant me the great privilege of presenting to you yonder piano? Frankly, it would be a great relief to me to be rid of it."

There were tears in her splendid black eyes as she turned her face toward me. "I do not understand," she said, mournfully. "You do not know whata it all meant to me. I cannot taka your piano. There is nobody in the wide world to playa eet, now that he ees gone. And you are telling me the truth? I was dreaming? Eet did not really happen? But, signora, there were so many who hearda heem—hearda me—hearda us! Eet could not hava been a dream. Whata was eet?"

Her voice broke with a sob, and I bent down and kissed her tear-stained face.

"I cannot tell you, signorina. But do not let your heart break. You may find him again some day."

"Nevaire again," she sighed, seizing my hands impulsively. "Nevaire again. But I thanka you so much. Fareawell."

My heart was heavy as I returned to Tom, uncertain of the state in which I should find him. To my delight, I saw as I entered the library that he had suddenly made a great stride toward renewed health. He was sitting erect, and there was little of the invalid in his face or voice.

"That's over, my dear!" he cried, gaily, "and I'm going to celebrate Chopin's utter rout. Order me a brandy and soda, will you?—and push that box of cigars toward me. Then we'll read up a bit, little woman, about Scotland and Ireland. On the whole, I'm inclined to believe you and I will have a very jolly outing."

I leaned forward and kissed the dear fellow's smiling lips. "It's so good to have you back again, Tom," I murmured.

"And the signorina?" he asked, presently. "How did she take it? I'm afraid I was cruel to her, my dear. Did I speak too harshly to her?"

"You had no alternative, Tom," I assured him, soothingly; "you had been placed in a very awkward position."

"I had—in a very awkward position," he acknowledged. "And who the deuce put me there? I wonder"

"Don't wonder, Tom," I cried, sharply. "The less wondering you do the better it will be for us both."

"You're right, Winifred, as you always are," he said, raising aloft the glass of bubbling brandy that the butler had brought to him, and nodding toward me. "Here's your good health, my dear, and bon voyage to us both!"