Ghetto Comedies/The Hirelings

as was the steamer with cultured Americans invading Europe, few knew that Rozenoffski was on board, or even that Rozenoffski was a pianist. The name, casually seen on the passengers' list, conveyed nothing but a strong Russian and a vaguer Semitic flavour, and the mere outward man, despite a leonine head, was of insignificant port and somewhat shuffling gait, and drew scarcely a second glance.

He would not have had it otherwise, he told himself, as he paced the almost deserted deck after dinner—it was a blessing to escape from the perpetual adulation of music-sick matrons and schoolgirls—but every wounded fibre in him was yearning for consolation after his American failure.

Not that his fellow-passengers were aware of his failure; he had not put himself to the vulgar tests. His American expedition had followed the lines recommended to him by friendly connoisseurs—to come before the great public, if at all, only after being launched by great hostesses at small parties; to which end he had provided himself with unimpeachable introductions to unexceptionable ladies from irresistible personalities—a German Grand Duke, a Bulgarian Ambassador, Countesses, both French and Italian, and even a Belgian princess. But to his boundless amazement—for he had always heard that Americans were wax before titles—not one of the social leaders had been of the faintest assistance to him, not even the owner of the Chicago Palace, to whom he had been recommended by the Belgian princess. He had penetrated through one or two esoteric doors, only to find himself outside them again. Not once had he been asked to play. It was some weeks before it even dawned upon the minor prophet of European music-rooms that he was being shut out, still longer before it permeated to his brain that he had been shut out as a Jew!

Those barbarous Americans, so far behind Europe after all! Had they not even discovered that art levels all ranks and races? Poor bourgeois money-mongers with their mushroom civilization. It was not even as if he were really a Jew. Did they imagine he wore phylacteries or earlocks, or what? His few childish years in the Russian Pale—what were they to the long years of European art and European culture? And even if in Rome or Paris he had foregathered with Jews like Schneemann or Leopold Barstein, it was to the artist in them he had gravitated, not the Jew. Did these Yankee ignoramuses suppose he did not share their aversion from the gaberdine or the three brass balls? Oh the narrow-souled anti-Semites!

The deck-steward stacked the chairs, piled up the forgotten rugs and novels, tidying the deck for the night, but still the embittered musician tramped to and fro under the silent stars. Only from the smoking-room where the amateur auctioneer was still hilariously selling the numbers for a sweepstake, came sounds in discord with the solemnity of sky and sea, and the artist was newly jarred at this vulgar gaiety flung in the face of the spacious and starry mystery of the night. And these jocose, heavy-jowled, smoke-soused gamblers were the Americans whose drawing-rooms he would contaminate! He recalled the only party to which he had been asked—'To meet the Bright Lights'—and which to his amazement turned out to be a quasi-public entertainment with the guests seated in rows in a hall, and himself—with the other Bright Lights—planted on a platform and made to perform without a fee. The mean vulgarians! But perhaps it was better they had left him untainted with their dollars—better, comparatively poor though he was, that America should have meant pure loss to him. He had at least kept the spiritual satisfaction of despising the despiser, the dignity of righteous resentment, the artist's pride in the profitless. And this riot of ugliness and diamonds and third-rate celebrities was the fashionable society to which, forsooth, the Jew could not be permitted access!

The aroma of an expensive cigar wafted towards him, and the face between whose prominent teeth it was stuck loomed vividly in the glare of an electric light. Rozenoffski recognised those teeth. He had seen countless pictures and caricatures of them, for did they not almost hold the globe in their grip? This, then was the notorious multi-millionaire, 'the Napoleon in dollars,' as a wit had summed him up; and the first sight of Andrew P. Wilhammer almost consoled the player for his poverty. Who, even for an imperial income, would bear the burden of those grotesque teeth, protruding like a sample of wares in a dentist's showcase? But as the teeth came nearer and the great rubicund face bore down upon him, the prominence of the notorious incisors affected him less than their carnivorous capacity—he felt himself almost swallowed up by this monstrous beast of prey, so admirably equated to our small day of large things, to that environment in which he, poor degenerate artist, was but a little singing-bird. The long-forgotten word Rishus came suddenly into his mind—was not the man's anti-Semitism as obtruded as his teeth?—Rishus, that wicked malice, which to a persecuted people had become almost a synonym for Christianity. He had left the thought behind him, as he had left the Hebrew word, while he went sailing up into the rosy ether of success, and Rishus had sunk into the mere panic-word of the Ghetto's stunted brood, shrinking and quivering before phantasms, sinuously gliding through a misunderstood world, if it was not, indeed, rather a word conveniently cloaking from themselves a multitude of their own sins. But now, as incarnated in this millionaire mammoth, the shadowy word took on a sudden solidity, to which his teeth gave the necessary tearing and rending significance.

Yes, in very sooth—he remembered it suddenly—was it not this man's wife on whom he had built his main hopes? Was she not the leader of musical America, to whom the Belgian princess had given him the scented and crested note of introduction which was to open to him all doors and all ears? Was it not in her marvellous marble music-room—one of the boasts of Chicago—that he had mentally seen himself enthroned as the lord of the feast? And instead of these Olympian visions, lo! a typewritten note to clench his fist over—a note from a secretary regretting that the state of Mrs. Wilhammer's health forbade the pleasure of receiving a maestro with such credentials. Rishus—Rishus indubitable!

Turning with morbid interest to look after the retreating millionaire, he found him in converse with a feminine figure at the open door of a deck-cabin. Could this be the great She, the arbitress of art? He moved nearer. Why, this was but a girl—nay, unless his instinct was at fault, a Jewish girl—a glorious young Jewess, of that radiant red-haired type which the Russian Pale occasionally flowered with. What was she doing with this Christian Colossus? He tried vainly to see her left hand; the mere possibility that she might be Mrs. Wilhammer shocked his Semitic instinct. Wilhammer disappeared within—the relation was obviously intimate—but the girl still stood at the door, a brooding magical figure.

Almost a sense of brotherhood moved him to speak to her, but he conquered the abnormal and incorrect impulse, contenting himself to walk past her with a side-glance, while at the end of the deck-promenade, instead of returning on his footsteps, he even arched his path round to the windy side. After some minutes of buffeting he returned chilled to his prior pacing ground. She was still there, but had moved under the same electric light which had illuminated Wilhammer's face, and she was reading a letter. As his walk carried him past her, he was startled to see tears rolling down those radiant cheeks. A slight exclamation came involuntarily from him; the girl, even more startled to be caught thus, relaxed her grip of the letter—a puff of wind hastened to whirl it aloft. Rozenoffski grasped at it desperately, but it eluded him, and then descending sailed sternwards. He gave chase, stumbling over belated chairs and deck-quoits, but at last it was safe in his clutch, and as he handed it to the agitated owner whom he found at his elbow, he noted with a thrill that the characters were cursive Hebrew.

'How can I zank you, sir!' Her Teutonic-touched American gave him the courage to reply gallantly in German:

'By letting me help you more seriously.'

Ach, mein Herr—she jumped responsively into German—'it was for joy I was crying, not sorrow.' As her American was Germanic, so was her German like the Yiddish of his remote youth, and this, adding to the sweetness of her voice, dissolved the musician's heart within his breast. He noted now with satisfaction that her fingers were bare of rings.

'Then I am rejoiced too,' he ventured to reply.

She smiled pathetically, and began to walk back towards her cabin. 'With us Jews,' she said, 'tears and laughter are very close.'

'Us Jews!' He winced a little. It was so long since he had been thus classed to his face by a stranger. But perhaps he had misinterpreted her phrase; it was her way of referring to her race, not necessarily to his.

'It is a beautiful night,' he murmured uneasily. But he only opened wider the flood-gates of race-feeling.

'Yes,' she replied simply, 'and such a heaven of stars is beginning to arise over the night of Israel. Is it not wonderful—the transformation of our people? When I left Russia as a girl—so young,' she interpolated with a sad smile, 'that I had not even been married—I left a priest-ridden, paralysed people, a cringing, cowering, contorted people—I shall never forget the panic in our synagogue when a troop of Cossacks rode in with a bogus blood-accusation. Now it is a people alive with ideas and volitions; the young generation dreams noble dreams, and, what is stranger, dies to execute them. Our Bund is the soul of the Russian revolution; our self-defence bands are bringing back the days of Judas Maccabæus. In the olden times of massacre our people fled to the synagogues to pray; now they march to the fight like men.'

They had arrived at her door, and she ended suddenly. The musician, fascinated, feared she was about to fade away within.

'But Jews can't fight!' he cried, half-incredulous, half to arrest her.

'Not fight!' She held up the Hebrew letter. 'They have scouts, ambulance corps, orderlies, surgeons, everything—my cousin David Ben Amram, who is little more than a boy, was told off to defend a large three-story house inhabited by the families of factory-labourers who were at work when the pogrom broke out. The poor frenzied women and children had barricaded themselves within at the first rumour, and hidden themselves in cellars and attics. My cousin had to climb to their defence over the neighbouring tiles and through a window in the roof. Soon the house was besieged by police, troops, and hooligans in devilish league. With his one Browning revolver David held them all at bay, firing from every window of the house in turn, so as to give the besiegers an impression of a large defensive force. At last his cartridges were exhausted—to procure cartridges is the greatest difficulty of our self-defence corps—they began battering in the big front-door. David, seeing further resistance was useless, calmly drew back the bolts, to the mob's amaze, and, as it poured in, he cried: 'Back! back! They have bombs!' and rushed into the street, as if to escape the explosion. The others followed wildly, and in the panic David ran down a dark alley, and disappeared in search of a new post of defence. Though the door stood open, and the cowering inhabitants were at their mercy, the assailants, afraid to enter, remained for over an hour at a safe distance firing at the house, till it was riddled with bullets. They counted nearly two hundred the next day, embedded in the walls or strewn about the rooms. And not a thing had been stolen—not a hooligan had dared enter. But David is only a type of the young generation—there are hundreds of Davids equally ready to take the field against Goliath. And shall I not rejoice, shall I not exult even unto tears?' Her eyes glowed, and the musician was kindled to equal fire. It seemed to him less a girl who was speaking than Truth and Purity and some dead muse of his own. 'The Pale that I left,' she went on, 'was truly a prison. But now—now it will be the forging-place of a regenerated people! Oh, I am counting the days till I can be back!'

'You are going back to Russia!' he gasped.

He had the sensation of cold steel passing through his heart. The pogroms, which had been as remote to him as the squabbles of savages in Central Africa, became suddenly vivid and near. And even vivider and nearer that greater danger—the heroic Cousin David!

'How can I live away from Russia at such a moment?' she answered quietly. 'Who or what needs me in America?'

'But to be massacred!' he cried incoherently.

She smiled radiantly. 'To live and die with my own people.'

The fire in his veins seemed upleaping in a sublime jet; he was like to crying, 'Thy people shall be my people,' but all he found himself saying was, 'You must not, you must not; what can a girl like you do?'

A bell rang sharply from the cabin.

'I must go to my mistress. Gute Nacht, mein Herr!'

His flame sank to sudden ashes. Only Mrs. Wilhammer's hireling!

The wind freshened towards the middle of the night, and Rozenoffski, rocking in his berth, cursed his encounter with the red-haired romanticist who had stirred up such a pother in his brain that he had not been able to fall asleep while the water was still calm. Not that he suffered physically from the sea; he was merely afraid of it. The shuddering and groaning of the ship found an echo in his soul. He could not shake off the conviction that he was doomed to drown. At intervals, during the tedious night, he found forgetfulness in translating into sound his sense of the mystic, masterless waste in which the continents swim like islands, but music was soon swallowed up in terror.

'No,' he sighed, with a touch of self-mockery. 'When I am safe on shore again, I shall weave my symphony of the sea.'

Sleep came at last, but only to perturb him with a Jewish Joan of Arc who—turned Admiral—recaptured Zion from her battleship, to the sound of Psalms droned by his dead grandfather. And, though he did not see her the next day, and was, indeed, rather glad not to meet a lady's maid in the unromantic daylight, the restlessness she had engendered remained, replacing the settled bitterness which was all he had brought back from America. In the afternoon this restlessness drove him to the piano in the deserted dining-hall, and his fever sought to work itself off in a fury of practice. But the inner turbulence persisted, and the new thoughts clung round the old music. He was playing Schumann's Fantasiestücke, but through the stormy passion of In der Nacht he saw the red hair of the heroic Jewess, and into the wistful, questioning Warum insinuated itself not the world-question, but the Jewish question—the sad, unending Jewish question—surging up again and again in every part of the globe, as Schumann's theme in every part of the piano—the same haunting musical figure, never the same notes exactly, yet essentially always the same, the wistful, questioning Warum. Why all this ceaseless sorrow, this footsore wandering, this rootless life, this eternal curse?

Suddenly he became aware that he was no longer alone—forms were seated at the tables on the fixed dining-chairs, though there was no meal but his music; and as he played on, with swift side-peeps, other fellow-passengers entered into his consciousness, some standing about, others hovering on the stairs, and still others stealing in on reverent tip-toe and taking favourable seats. His breast filled with bitter satisfaction.

So they had to come, the arrogant Americans; they had to swarm like rats to the pied piper. He could draw them at will, the haughty heathen—draw them by the magic of his finger-touch on pieces of ivory. Lo, they were coming, more and more of them! Through the corner of his eye he espied the figures drifting in from the corridors, peering in spellbound at the doors.

With a great crash on the keys, he shook off his morbid mood, and plunged into Scarlatti's Sonata in A, his fingers frolicking all over the board, bent on a dominating exhibition of technique. As he stopped, there was a storm of hand-clapping. Rozenoffski gave a masterly start of surprise, and turned his leonine head in dazed bewilderment. Was he not then alone?  'Gott im Himmel!' he murmured, and, furiously banging down the piano-lid, stalked from these presumptuous mortals who had jarred the artist's soliloquy.

But the next afternoon found him again at the public piano, devoting all the magic of his genius to charming a contemptible Christendom. He gave them Beethoven and Bach, Paradies and Tschaikowski, unrolled to them the vast treasures of his art and memory. And very soon, lo! the Christian rats were pattering back again, only more wisely and cautiously. They came crawling from every part of the ship's compass. Newcomers were warned whisperingly to keep from applause. In vain. An enraptured greenhorn shouted 'Encore!' The musician awoke from his trance, stared dreamily at the Philistines; then, as the presence of listeners registered itself upon his expressive countenance, he rose again—but this time as more in sorrow than in anger—and stalked sublimely up the swarming stairs.

It became a tradition to post guards at the doors to warn all comers as to the habits of the great unknown, who could only beat his music out if he imagined himself unheard. Scouts watched his afternoon advance upon the piano in an empty hall, and the word was passed to the little army of music-lovers. Silently the rats gathered, scurrying in on noiseless paws, stealing into the chairs, swarming about the doorways, pricking up their ears in the corridors. And through the awful hush rose the master's silvery notes in rapturous self-oblivion till the day began to wane, and the stewards to appear with the tea-cups.

And the larger his audience grew, the fiercer grew his resentment against this complacent Christendom which took so much from the Jew and gave so little. 'Shylocks!' he would mutter between his clenched teeth as he played—'Shylocks all!'

With no less punctuality did Rozenoffski pace the silent deck each night in the hope of again meeting the red-haired Jewess. He had soon recovered from her menial office; indeed, the paradox of her position in so anti-Semitic a household quickened his interest in her. He wondered if she ever listened to his playing, or had realized that she had entertained an angel unawares.

But three nights passed without glimpse of her. Nor was her mistress more visible. The Wilhammers kept royally to themselves in their palatial suite, though the husband sometimes deigned to parade his fangs in the smoking-room, where with the luck of the rich he won heavily in the pools. It was not till the penultimate night of the voyage that Rozenoffski caught his second glimpse of his red-haired muse. He had started his nocturnal pacing much earlier than usual, for the inevitable concert on behalf of marine charities had sucked the loungers from their steamer-chairs. He had himself, of course, been approached by the programme-organizer, a bouncing actress from 'Frisco, with an irresistible air, but he had defeated her hopelessly with the mysterious sarcasm: 'To meet the Bright Lights?' And his reward was to have the deck and the heavens almost to himself, and presently to find the stars outgleamed by a girl's hair. Yes, there she was, gazing pensively forth from the cabin window. He guessed the mistress was out for once—presumably at the concert. His heart beat faster as he came to a standstill, yet the reminder that she was a lady's maid brought an involuntary note of condescension into his voice.

'I hope Mrs. Wilhammer hasn't been keeping you too imprisoned?' he said.

She smiled faintly. 'Not so close as Neptune has kept her.'

'Ill?' he said, with a shade of malicious satisfaction.

'It is curious and even consoling to see the limitations of Crœsus,' she replied. 'But she is lucky—she just recovered in time.'

'In time for what?'

'Can't you hear?'

Indeed, the shrill notes of an amateur soprano had been rending the air throughout, but they had scarcely penetrated through his exaltation. He now shuddered.

'Do you mean it is she singing?'

The girl laughed outright. 'She sing! No, no, she is a sensitive receiver. She receives; she gives out nothing. She exploits her soul as her husband exploits the globe. There isn't a sensation or an emotion she denies herself—unless it is painful. It was to escape the concert that she has left her couch—and sought refuge in a friend's cabin. You see, here sound travels straight from the dining-hall, and a false note, she says, gives her nerve-ache.'

'Then she can't return till the close of the concert,' he said eagerly. 'Won't you come outside and walk a bit under this beautiful moon?'

She came out without a word, with the simplicity of a comrade.

'Yes, it is a beautiful night,' she said, 'and very soon I shall be in Russia.'

'But is Mrs. Wilhammer going to Russia, then?' he asked, with a sudden thought, wondering that it had never occurred to him before.

'Of course not! I only joined her for this voyage. I have to work my passage, you see, and Providence, on the eve of sailing, robbed Mrs. Wilhammer of her maid.'

'Oh!' he murmured in relief. His red-haired muse was going back to her social pedestal. 'But you must have found it humiliating,' he said.

'Humiliating?' She laughed cheerfully. 'Why more than manicuring her?'

The muse shivered again on the pedestal.

'Manicuring?' he echoed in dismay.

'Sure!' she laughed in American. 'When, after a course of starvation and medicine at Berne University, I found I had to get a new degree for America....'

'You are a doctor?' he interrupted.

'And, therefore, peculiarly serviceable as a ship-maid.'

She smiled again, and her smile in the moonlight reminded him of a rippling passage of Chopin. Prosaic enough, however, was what she went on to tell him of her struggle for life by day and for learning by night. 'Of course, I could only attend the night medical school. I lived by lining cloaks with fur; my bed was the corner of a room inhabited by a whole family. A would-be graduate could not be seen with bundles; for fetching and carrying the work my good landlady extorted twenty cents to the dollar. When the fur season was slack I cooked in a restaurant, worked a typewriter, became a "hello girl"—at a telephone, you know—reported murder cases—anything, everything.'

'Manicuring,' he recalled tenderly.

'Manicuring,' she repeated smilingly. 'And you ask me if it is humiliating to wait upon an artistic seasick lady!'

'Artistic!' he sneered. His heart was full of pity and indignation.

'As surely as sea-sick!' she rejoined laughingly. 'Why are you prejudiced against her?'

He flushed. 'Prej-prejudiced?' he stammered. 'Why should I be prejudiced? From all I hear it's she that's prejudiced. It's a wonder she took a Jewess into her service.'

'Where's the wonder? Don't the Southerners have negro servants?' she asked quietly.

His flush deepened. 'You compare Jews to negroes!'

'I apologize to the negroes. The blacks have at least Liberia. There is a black President, a black Parliament. We have nothing, nothing!'

'We!' Again that ambiguous plural. But he still instinctively evaded co-classification.

'Nothing?' he retorted. 'I should have said everything. Every gift of genius that Nature can shower from her cornucopia.'

'Jewish geniuses!' Her voice had a stinging inflection. 'Don't talk to me of our geniuses; it is they that have betrayed us. Every other people has its great men; but our great men—they belong to every other people. The world absorbs our sap, and damns us for our putrid remains. Our best must pipe alien tunes and dance to the measures of the heathen. They build and paint; they write and legislate. But never a song of Israel do they fashion, nor a picture of Israel, nor a law of Israel, nor a temple of Israel. Bah! What are they but hirelings?'

Again the passion of her patriotism uplifted and enkindled him. Yes, it was true. He, too, was but a hireling. But he would become a Master; he would go back—back to the Ghetto, and this noble Jewess should be his mate. Thank God he had kept himself free for her. But ere he could pour out his soul, the bouncing San Franciscan actress appeared suddenly at his elbow, risking a last desperate assault, discharging a pathetic tale of a comedian with a cold. Rozenoffski repelled the attack savagely, but before he could exhaust the enemy's volubility his red-haired companion had given him a friendly nod and smile, and retreated into her shrine of duty.

He spent a sleepless but happy night, planning out their future together; her redemption from her hireling status, their joint work for their people. He was no longer afraid of the sea. He was afraid of nothing—not even of the pogroms that awaited them in Russia. Russia itself became dear to him again—the beautiful land of his boyhood, whose birds and whispering leaves and waters had made his earliest music.

But dearer than all resurged his Jewish memories. When he went almost mechanically to the piano on the last afternoon, all these slumbering forces wakened in him found vent in a rhapsody of synagogue melody to which he abandoned himself, for once forgetting his audience. When gradually he became aware of the incongruity, it did but intensify his inspiration. Let the heathen rats wallow in Hebrew music! But soon all self-consciousness passed away again, drowned in his deeper self.

It was a strange fantasia that poured itself through his obedient fingers; it held the wistful chants of ancient ritual, the festival roulades and plaintive yearnings of melodious cantors, the sing-song augmentation of Talmud-students oscillating in airless study-houses, the long, melancholy drone of Psalm-singers in darkening Sabbath twilights, the rustle of palm-branches and sobbings of penitence, the long-drawn notes of the ram's horn pealing through the Terrible Days, the passionate proclamation of the Unity, storming the gates of heaven. And fused with these merely physical memories, there flowed into the music the peace of Sabbath evenings and shining candles, the love and wonder of childhood's faith, the fantasy of Rabbinic legend, the weirdness of penitential prayers in raw winter dawns, the holy joy of the promised Zion, when God would wipe away the tears from all faces.

There were tears to be wiped from his own face when he ended, and he wiped them brazenly, unresentful of the frenzied approval of the audience, which now let itself go, out of stored-up gratitude, and because this must be the last performance. All his vanity, his artistic posing, was swallowed up in utter sincerity. He did not shut the piano; he sat brooding a moment or two in tender reverie. Suddenly he perceived his red-haired muse at his side. Ah, she had discovered him at last, knew him simultaneously for the genius and the patriot, was come to pour out her soul at his feet. But why was she mute? Why was she tendering this scented letter? Was it because she could not trust herself to speak before the crowd? He tore open the delicate envelope. Himmel! what was this? Would the maestro honour Mrs. Wilhammer by taking tea in her cabin?

He stared dazedly at the girl, who remained respectful and silent.

'Did you not hear what I was playing?' he murmured.

'Oh yes—a synagogue medley,' she replied quietly. 'They publish it on the East Side, nicht wahr?'

'East Side?' He was outraged. 'I know nothing of East Side.' Her absolute unconsciousness of his spiritual tumult, her stolidity before this spectacle of his triumphant genius, her matter-of-fact acceptance of his racial affinity, her refusal to be impressed by the heroism of a Hebrew pianoforte solo, all she said and did not say, jarred upon his quivering nerves, chilled his high emotion. 'Will you say I shall have much pleasure?' he added coldly.

The red-haired maid nodded and was gone. Rozenoffski went mechanically to his cabin, scarcely seeing the worshippers he plodded through; presently he became aware that he was changing his linen, brushing his best frock-coat, thrilling with pleasurable excitement.

Anon he was tapping at the well-known door. A voice—of another sweetness—cried 'Come!' and instantly he had the sensation that his touch on the handle had launched upon him, as by some elaborate electric contrivance, a tall and beautiful American, a rustling tea-gown, a shimmer of rings, a reek of patchouli, and a flood of compliment.

'So delightful of you to come—I know you men of genius are farouches—it was awfully insolent of me, I know, but you have forgiven me, haven't you?'

'The pleasure is mine, gracious lady,' he murmured in German.

'Ach, so you are a German,' she replied in the same tongue. 'I thought no American or Englishman could have so much divine fire. You see, mein Herr, I do not even know your name—only your genius. Every afternoon I have lain here, lapped in your music, but I might never have had the courage to thank you had you not played that marvellous thing just now—such delicious heartbreak, such adorable gaiety, and now and then the thunder of the gods! I'm afraid you'll think me very ignorant—it wasn't Grieg, was it?'

He looked uncomfortable. 'Nothing so good, I fear—a mere impromptu of my own.'

'Your own!' She clapped her jewelled hands in girlish delight. 'Oh, where can I get it?'

'East Side,' some mocking demon tried to reply; but he crushed her down, and replied uneasily: 'You can't get it. It just came to me this afternoon. It came—and it has gone.'

'What a pity!' But she was visibly impressed by this fecundity and riotous extravagance of genius. 'I do hope you will try to remember it.'

'Impossible—it was just a mood.'

'And to think of all the other moods I seem to have missed! Why have I not heard you in America?'

He grew red. 'I—I haven't been playing there,' he murmured. 'You see, I'm not much known outside a few European circles.' Then, summoning up all his courage, he threw down his name 'Rozenoffski' like a bomb, and the red of his cheeks changed to the pallor of apprehension. But no explosion followed, save of enthusiasm. Evidently, the episode so lurid to his own memory, had left no impress on hers.

'Oh, but America must know you, Herr Rozenoffski. You must promise me to come back in the fall, give me the glory of launching you.' And, seeing the cloud on his face, she cried: 'You must, you must, you must!' clapping her hands at each 'must.'

He hesitated, distracted between rapture and anxiety lest she should remember.

'You have never heard of me, of course,' she persisted humbly; 'but positively everybody has played at my house in Chicago.'

Ach so! he muttered. Had he perhaps misinterpreted and magnified the attitude of these Americans? Was it possible that Mrs. Wilhammer had really been too ill to see him? She looked frail and feverish behind all her brilliant beauty. Or had she not even seen his letter? had her secretary presumed to guard her from Semitic invaders? Or was she deliberately choosing to forget and forgive his Jewishness? In any case, best let sleeping dogs lie. He was being sought; it would be the silliest of social blunders to recall that he had already been rejected.

'It is years since Chicago had a real musical sensation,' pleaded the temptress.

'I'm afraid my engagements will not permit me to return this autumn,' he replied tactfully.

'Do you take sugar?' she retorted unexpectedly; then, as she handed him his cup, she smiled archly into his eyes. 'You can't shake me off, you know; I shall follow you about Europe—to all your concerts.'

When he left her—after inscribing his autograph, his permanent Munich address, and the earliest possible date for his Chicago concert, in a dainty diary brought in by her red-haired maid—his whole being was swelling, expanding. He had burst the coils of this narrow tribalism that had suddenly retwined itself round him; he had got back again from the fusty conventicles and the sunless Ghettos—back to spacious salons and radiant hostesses and the great free life of art. He drew deep breaths of sea-air as he paced the deck, strewn so thickly with pleasant passengers to whom he felt drawn in a renewed sense of the human brotherhood. Rishus, forsooth!