Death the Knight and the Lady/Chapter 3

table was laid for luncheon in the dining-room, and as I took my seat at a place he pointed out, he went to a speaking tube and whistled down it. Then I heard him ordering the carriage to be ready in an hour. "Will that suit you?" he asked, looking at me.

"Yes," I replied. I was laughing now. Oh, life had turned so in a moment from awfulness to loveliness. I never pinched myself to feel if I were in a dream or not. I have read about that in stories, and I think it's stupid, besides, I did not want to wake up if it was a dream. I did not want to talk either, I was too happy.

I thought of the dinner I had yesterday. I could not remember what it was, then I remembered I had not dined yesterday at all; I had lent my last shilling to Jessie, who lives in the room below mine; she had sworn to pay me back in the evening if she was lucky, and then she came back drunk at twelve o'clock, swearing like a soldier, poor Jessie

Wilder ate very little and spoke scarcely at all, I think the only thing he said in the way of conversation was "I never have servants in the room when I am eating;" and I said to myself, "Thank goodness." Just imagine how I would have felt if one of those dreadful men-servants had been gliding about the room,—my wristbands all frayed, my hands not very clean, for those cheap gloves dye one's hands, and my collar crumpled.

Wilder wanted to open me some champagne, but I said no. I thought he looked pleased. He had a decanter before him, and he poured himself out a glass from it.

"I don't ask you to take this," he said in an apologetic sort of manner; "because it would—well a glass of it would kill you, it's opium, I am used to it—all the worry I have had" His head sunk on his breast, and I felt sorry for him, though he was so rich and lived in such a beautiful house. After a moment he looked up—we had finished eating.

"Gerald," he said, "I want you to be happy; poor soul, you have suffered too, but perhaps it is for the best."

"Why do you call me Gerald?" I asked, staring at him. A dreamy look had come over his strange face, perhaps it was the opium.

"Did I call you Gerald?" he said, "well, you will know why soon, I want you to be happy."

He rose from the table. "Come," he said, "I will show you to your room."

I followed him into the hall, then up a great broad staircase carpeted with soft fleecy carpet; on the first landing he opened a door.

"This is your room," he said, "you will find everything you require; when you are ready come downstairs and you will find the carriage waiting."

He shut the door on me, and I found myself alone.

It was a small, but beautifully furnished bedroom. A fire was burning in the grate; on the bed lay a great sealskin cloak, perfectly new. It was evidently intended for me, I tried it on before the glass, it reached to my feet, hiding all my shabby clothes. Then I took it off and laid it on the bed again. I looked at the floor beside the fireplace. There, in a row, stood a number of ladies' boots and shoes, different sizes; a wardrobe stood open, I looked in, dresses of dark silk and satin, bonnets, hats; on the dressing-table great ivory hair brushes, gloves, handkerchiefs, scent bottles of cut glass, a curling tongs and spirit lamp which was lit, a little strip of paper on which was written, "Help yourself to whatever you require."

I could have cried again, but somehow I didn't. I looked all round, and then I remember lifting up my arms to stretch myself, why I did so I don't know.

Then, as I began undressing, I laughed, I spoke to the things in the room just like a child, I asked questions of the little silver clock on the mantelpiece—oh, those hideous old boots I had worn so long, they seemed to make faces at me as I took them off. I flung them in a corner.

In an alcove stood a great bath; I turned the tap, shaped like a dragon's head, and the water roared and foamed into the bath through the dragon's mouth; I smelt the water, I tasted it, it was sea water; in a minute the bath was full.

The luxury of it! the warm briny water that let one's limbs float loose like seaweed. I pretended to drown myself for fun, then I turned over on my face, floating, and seized the dragon's head in both hands.

Then, as I lay floating, I listened to the far away sound I knew so well—the distant roar of carts and cabs in the streets.

I sprang out of the bath in a fury. I had never thought of it before like this, now I saw all the wretchedness that I had gone through, saw it all a million times more clearly than I had ever done when I was in it. Oh, the vile world, I could have eaten it, eaten it.

Then I caught a glimpse of my naked figure in the long glass. I was beautiful as ever, my limbs were white as snow. I whirled round, and my long black hair flew out in a mist, scattering drops of water everywhere.

Yes, I was even more beautiful than before, my troubles had given my face more expression; my teeth were perfect—Jessie's teeth were broken—Jessie. I would be revenged yet. I leaned on my side before the great glass, gazing at myself as gloomily as a thunder-cloud. I would be revenged on this world. Why had God created such a place, and the clergymen whining about heaven, and the doctors who took a poor girl's rings, and—I smelt a subtle perfume, and turning, I saw a great bunch of violets standing in a little bowl in the corner.

I don't know why, but they made me feel choky, and I remember taking them to me and kissing them, and putting them back.

Then I dried myself in a huge towel, and dressed. I laughed at the curling tongs, and blew the little lamp out—my hair did not want curling tongs. I laughed to think of the frights of women going about with their noses in the air, who had to curl their heads.

One of the bonnets in the wardrobe fitted me perfectly. I could have chosen a hat, but I preferred this bonnet. I put on the sealskin cloak. Then, taking the bunch of violets with the stalks all dripping, I put it in my breast.

Wilder was standing in the hall as I came down the great staircase. He smiled at the violets as if he were pleased. "You look very well," he said, passing, as he spoke, into the library, where I followed him. "Now, here are three letters I have written—one to the jewellers, this one to the portmanteau people, and this to Coutts' bank. Drive first to Coutts', give them this letter and my cheque on the British Linen Company. They will open an account with you, small as the sum is, because they know me very well; they will give you a cheque book, and you can give cheques to your milliners and people—poor Beatrice, I want you to be happy." I felt horrible for a moment as he said this. It was said in such a supplicatory tone, as if he wanted to propitiate me, as if I were some evil thing he feared, and he had said it before just in the same voice, "Poor Beatrice, I want you to be happy."

How this story is lengthening out. I thought I could have told it all in three or four pages, and now look, thirty pages—and yet I want to make it as long as possible. Can you guess what I say to the old doctor who comes to see me every day? I ask him, does he know how long I will live? and he shakes his head and says something about "the hands of Providence." No, I answer, not the hands of Providence, but these hands—when they have finished writing what they have to write I shall die. I know it.