Author:Peter Brooks

Non-fiction

 * The Novel of Worldliness: Crébillon, Marivaux, Laclos, Stendhal (1969)
 * The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1976), ISBN 0-300-06553-1
 * Reading for the Plot: Design and Intention in Narrative (1984), ISBN 0-674-74892-1
 * Body Work: Objects of Desire in Modern Narrative (1993), ISBN 0-674-07725-3
 * Psychoanalysis and Storytelling (1994), ISBN 0-631-19008-2
 * Law's Stories: Narrative and Rhetoric in the Law (co-editor with Paul Gewirtz, 1996), ISBN 0-300-07490-5
 * Troubling Confessions: Speaking Guilt in Law and Literature (2000), ISBN 0-226-07585-0
 * Whose Freud? The Place of Psychoanalysis in Contemporary Culture (co-editor with Alex Woloch) (2000), ISBN 0-300-08116-2
 * Realist Vision (2005), ISBN 0-300-10680-7
 * Henry James Goes to Paris (2007), ISBN 0-691-12954-1
 * No Tomorrow (with Lydia Davis, 2009); original by Vivant Denon
 * Enigmas of Identity (2011), ISBN 978-0-691-15158-8
 * Anthologie du mélodrame classique (with Myriam Faten Sfar, 2011), ISBN 978-2-8124-0328-6
 * Flaubert in the Ruins of Paris: The Story of a Friendship, a Novel, and a Terrible Year (2017), ISBN 0465096026
 * Balzac's Lives (2020), ISBN 978-1-68137-449-9
 * Seduced by Story (2022), ISBN 978-1-68137-663-9

Fiction

 * World Elsewhere (2000), ISBN 0-684-85333-7
 * The Emperor's Body (2010), ISBN 0-393-07958-9

Papers

 * "Romania and the Widening Gyre" (1972), PMLA, 87 (1): 7–11,
 * "Virtue and Terror: The Monk" (1973), ELH, 40 (2): 249–263,
 * "Man and His Fictions: One Approach to the Teaching of Literature" (1973), College English, 35 (1): 40–49, {{JSTOR link|375195
 * "Structuralist Poetics. Structuralism, Linguistics, and the Study of Literature by Jonathan Culler" (1976), Diacritics, 6 (1): 23–26, {{doi|10.2307/465029}}, {{ISSN|0300-7162}} {{JSTOR link|465029}}
 * "Freud's Masterplot" (1977), Yale French Studies (55/56): 280–300, {{doi|10.2307/2930440}} {{JSTOR link|2930440}}
 * "Godlike Science/Unhallowed Arts: Language and Monstrosity in Frankenstein" (1978), New Literary History, 9 (3): 591–605, {{doi|10.2307/468457}} {{JSTOR link|468457}}
 * "Fictions of the Wolfman: Freud and Narrative Understanding" (1979), Diacritics, 9 (1): 71–81, {{doi|10.2307/464701}} {{JSTOR link|464701}}
 * "Repetition, Repression, and Return: Great Expectations and the Study of Plot" (1980), New Literary History, 11 (3): 503–526, {{doi|10.2307/468941}} {{JSTOR link|468941}}
 * "The Novel and the Guillotine; Or, Fathers and Sons in Le Rouge et le noir" (1982), PMLA, 97 (3): 348–362, {{doi|10.2307/462227}} {{JSTOR link|462227}}, S2CID 163976852
 * "Narrative Transaction and Transference (Unburying "Le Colonel Chabert")" (1982), Novel: A Forum on Fiction, 15 (2): 101–110, {{doi|10.2307/1345218}} {{JSTOR link|1345218}}
 * "Incredulous Narration: Absalom, Absalom!" (1982), Comparative Literature, 34 (3): 247–268, {{doi|10.2307/1770556}} {{JSTOR link|1770556}}
 * "The Idea of a Psychoanalytic Literary Criticism" (1987), Critical Inquiry, 13 (2): 334–348, {{doi|10.1086/448394}} {{JSTOR link|1343497}}
 * "Storied Bodies, or Nana at Last Unveil'd" (1989), Critical Inquiry, 16 (1): 1–32, {{doi|10.1086/448524}} {{JSTOR link|1343624}}
 * "Aesthetics and Ideology: What Happened to Poetics?" (1994), Critical Inquiry, 20 (3): 509–523, {{doi|10.1086/448723}} {{JSTOR link|1343867}}
 * "A Beginning in the Humanities" (2000), PMLA, Vol. 115, No. 7, 115 (7): 1955–1957, {{doi|10.2307/463614}} {{JSTOR link|463614}}

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