Author:Karl Borromäus von Miltitz

Short stories

 * "Die zwölf Nächte" ('The Twelve Nights') in Aus der Geisterwelt volume 1 (1818)
 * "Die Seufzerbrücke" ('The Bridge of Sighs') in Jährliche Mittheilungen von 1821 (1820)

Musical compositions

 * "O Thou lamb of God" (German original not identified)
 * "O Thou lamb of God" in Sacred Music (1829)

Poems

 * "Die beiden Boten" ('The Two Messengers') in Taschenbuch zum geselligen Vergnügen 1820 (1819)
 * "The Two Envoys" translated by James Clarence Mangan (1848)

Non-fiction

 * "Was heisst klassisch in der Musik?" in Allgemeine musikalische Zeitung (1835)
 * "What is the Meaning of the Word ‘Classical’ in a Musical Sense?" in Supplement to the Musical Library (1836)
 * "Romeo und Julia: Erlaeuterungen"
 * "Romeo and Juliet: Explanations" in Retzsch's Outlines to Shakspeare (1836)
 * Die Schachspieler
 * The Game of Life, or The Chess-Players (1837)
 * "Koenig Lear: Erlaeuterungen"
 * "King Lear: Explanations" in Retzsch's Outlines to Shakspeare (1838)
 * "Leonore"
 * "Leonore" in Retzsch's Outlines to Buerger's Ballads (1840)
 * "Das Lied vom Bravem Mann"
 * "The Song of the Brave Man" in Retzsch's Outlines to Buerger's Ballads (1840)
 * "Des Pfarrers Tochter von Tauberhayn"
 * "The Parson's Daughter of Taubenhayn" in Retzsch's Outlines to Buerger's Ballads (1840)

Works attributed to Miltitz

 * "Guido and Fiammetta" in Christmas Tales (1825)
 * Actually "Guido und Fiammetta" by Christian Friedrich Wilhelm Jacobs (1824)
 * The Twelve Nights (1831)
 * Attributed to "Baron Karl von Miltie" in Samuel Halkett's Dictionary of the Anonymous and Pseudonymous Literature volume 4 (1888)
 * The book's preface says that most chapters are based on stories from French periodicals; of the twelve chapters, eight have been identified as translations from several authors, none of which are Miltitz
 * The attribution to Miltitz is probably the result of a confusion of this book's title with Miltitz' short story "Die zwölf Nächte" ('The Twelve Nights')