Author:Bai Juyi

Works
Collections of Juyi's poetry can be found in A Hundred and Seventy Chinese Poems (1919) and More Translations from the Chinese (1919), translated by Arthur Waley. A list of individual poems follows, with particularly well-known ones in bold. The title convention prefers the standard name for a poem, if there is one, and Waley's titling if there is not.
 * After Passing the Examination (800), translated by Arthur Waley (1919).
 * Escorting Candidates to the Examination Hall (805)
 * In Early Summer Lodging in a Temple to Enjoy the Moonlight (805)
 * Going Alone to Spend a Night at the Hsien-Yu Temple (806)
 * Planting Bamboos (806)
 * Sick Leave (806)
 * Chang Hen Ge (長恨歌) (ca. 806–809)
 * Song of Everlasting Regret, a linear translation by Wikisource.
 * Watching the Reapers (806), translated by Arthur Waley (1919).
 * To Li Chien (807)
 * The Prisoner (809)
 * At the End of Spring (810)
 * The Poem on the Wall (810)
 * Chu Ch'ēn Village (811)
 * Fishing in the Wei River (811)
 * Lazy Man's Song (811)
 * The Chrysanthemums in the Eastern Garden (812)
 * The Grain-tribute (ca. 812)
 * Illness and Idleness (ca. 812)
 * Poems in Depression, at Wei Village (812)
 * Rejoicing at the Arrival of Ch'ēn Hsiung (ca. 812)
 * Winter Night (812)
 * The Beginning of Summer (815)
 * Rain (815)
 * Starting Early from the Ch'u-Ch'ēng Inn (815)
 * To His Brother Hsing-Chien, Who was in Tung-Ch'uan (815)
 * Dreaming that I Went with Lu and Yu to Visit Yüan Chēn (ca. 815–820)
 * Hearing the Early Oriole (ca. 815–820)
 * Visiting the Hsi-Lin Temple (ca. 815–820)
 * Song of the Pipa Player (琵琶行) (ca. 816)
 * The Lute-Girl’s Lament (n.d.), translated by Herbert Allen Giles (1922).
 * The Fifteenth Volume (818), translated by Arthur Waley (1919).
 * At Rise of Day We Sacrificed to the Wind God (818)
 * Prose Letter to Yüan Chēn (818)
 * Invitation to Hsiao Chü-Shih (ca. 818–820)
 * Planting Flowers on the Eastern Embankment (ca. 818–820)
 * After Collecting the Autumn Taxes (ca. 820)
 * Children (ca. 820)
 * More Translations from the Chinese/Lodging with the Old Man of the Stream (820)
 * The Pine-Trees in the Courtyard (820)
 * The Spring River (820)
 * To His Brother Hsing-Chien (820)
 * Parting from the Winter Stove (822)
 * The Silver Spoon (822)
 * Sleeping on Horseback (822)
 * Good-Bye to the People of Hangchow (824)
 * Getting Up Early on a Spring Morning (825)
 * Losing a Slave-Girl (ca. 825)
 * Written when Governor of Soochow (825)
 * Realizing the Futility of Life (ca. 828)
 * The Grand Houses at Lo-Yang (ca. 829)
 * The Cranes (830)
 * Rising Late and Playing with A-ts'ui, aged Two (831)
 * On His Baldness (832)
 * Thinking of the Past (833)
 * A Mad Poem Addressed to My Nephews and Nieces (835)
 * Old Age (835)
 * To a Talkative Guest (836)
 * Going to the Mountains with a little Dancing Girl, aged Fifteen (ca. 837)
 * To Liu Yü-Hsi (838)
 * My Servant Wakes Me (839)
 * Dreaming of Yüan Chēn (ca. 840)
 * Since I Lay Ill (840)
 * Song of Past Feelings (ca. 840)
 * Illness (ca. 842)
 * Resignation (ca. 842)
 * A Dream of Mountaineering (ca. 842–846)
 * Ease (ca. 844)
 * Taoism and Buddhism (ca. 846)
 * After getting Drunk, becoming Sober in the Night (n.d.)
 * After Lunch (n.d.)
 * Alarm at first entering the Yang-tze Gorges (n.d.)
 * Arriving at Hsün-yang (n.d.)
 * Being on Duty all night in the Palace and dreaming of the Hsien-yu Temple (n.d.)
 * Being visited by a Friend during Illness (n.d.)
 * The Big Rug (n.d.)
 * The Chancellor's Gravel-drive (n.d.)
 * The Charcoal-seller (n.d.)
 * Climbing the Ling Ying Terrace and looking North (n.d.)
 * Climbing the Terrace of Kuan-yin and looking at the City (n.d.)
 * The Dragon of the Black Pool (n.d.)
 * An Early Levée (n.d.)
 * A Hundred and Seventy Chinese Poems/Eating Bamboo-shoots (n.d.)
 * The Flower Market (n.d.)
 * Golden Bells (n.d.)
 * The Harper of Chao (n.d.)
 * The Hat given to the Poet by Li Chien (n.d.)
 * Having climbed to the topmost Peak of the Incense-burner Mountain (n.d.)
 * Illness (n.d.)
 * Kept waiting in the Boat at Chiu-k'ou Ten Days by an adverse Wind (n.d.)
 * Last Poem (n.d.)
 * The Letter (n.d.)
 * A Hundred and Seventy Chinese Poems/Madly Singing in the Mountains (n.d.)
 * Magic (n.d.)
 * The Man who Dreamed of Fairies (n.d.)
 * The Old Harp (n.d.)
 * The Old Man with the Broken Arm (n.d.)
 * On a Box containing his own Works (n.d.)
 * On being removed from Hsün-yang and sent to Chung-chou (n.d.)
 * On being Sixty (n.d.)
 * On Board Ship: Reading Yüan Chēn's Poems (n.d.)
 * On hearing someone sing a Poem by Yüan Chēn (n.d.)
 * On the way to Hangchow: Anchored on the River at Night (n.d.)
 * Passing T'ien-mēn Street in Ch'ang-an and seeing a distant View of Chung-nan Mountain (n.d.)
 * The Philosophers (n.d.)
 * A Hundred and Seventy Chinese Poems/The People of Tao-chou (n.d.)
 * The Politician (n.d.)
 * Pruning Trees (n.d.)
 * The Red Cockatoo (n.d.)
 * Releasing a migrant "Yen" (Wild Goose) (n.d.)
 * Remembering Golden Bells (n.d.)
 * Separation (n.d.)
 * Stopping the Night at Jung-yang (n.d.)
 * To a Portrait Painter who desired him to sit (n.d.)
 * The Two Red Towers (n.d.)

Works about Bai

 * Introduction to a collection of Bai's poetry, in A Hundred and Seventy Chinese Poems (1919), translated by Arthur Waley.
 * Life of Po Chü-i, an introduction to another collection of Bai's poetry, in More Translations from the Chinese (1919), translated by Arthur Waley.