A Jay of Italy/Chapter 4

, third Duke of Milan of his line, was very characteristically engaged in a very characteristic room of his resplendent castello of the Porta Giovia, which dominated the whole city from the north-east. This room, buried like a captivating lust in the heart of the Rocca, or inner citadel of the castello, swarmed with those deft procurers to the great, panders between Art and emotion, who are satisfied, by contributing, each his share, to the glorification of a sensual despotism, to partake a rediffused flavour of its sum. They were poets, painters, and musicians, sculptors and learned doctors, and every one, despite his independent calling, a sycophant. Before the power, central and paramount, which alone in their particular orbit could amass within itself the total of their lesser lights, they prostrated themselves as before a God. It is so in all ages of man. He will contribute, of choice, to the prosperous charity; he will lay his gifts at the opulent shrine. The worldling, says Shakespeare, makes his testament of more to much. '''Ah! c'est le plus grand roi du monde!''' once cried Madame de Sévigné of Louis XIV., who had danced with her. 'He is the finest gentleman I have ever seen!' cried Johnson enthusiastically at a later date, after an interview with Farmer George; and though—perhaps because—the stout old Colossus was as independent as reason itself, he spoke the general moral. Professors were here, too, who did not blush to proclaim the exalted scion of Condottieri, the blood-lusting monster, the infernal atavism of Caligula, for the first gentleman in Italy, or to prostitute their erudition in his service.

It was Madonna Beatrice who had drawn that analogy, and there was plenty of justification for it; as also, it must be said, plenty of more immediate precedent for the abominations of this Galeazzo. If, like the grandmatricidal Roman, he had poisoned his mother, the Visconti, his predecessors, with their atrocious blood-profanations and exaltations of bastardy, were responsible for the conditions which had made so dreadful an act conceivable. If, emulating Caligula's treatment of frail vestals, he had buried alive some too-accommodating virgin of the cloister, whom he had first debauched, he could quote the Visconti precedent of carnality indulged till it became a very ecstasy of fiend-possession. Between old Rome and modern Milan, indeed, there was little to prefer. Caligula used to throw spectators in the theatres to the beasts, having first torn out the tongues of his victims, lest his ears should be offended by their articulate appeals. Bernabo Visconti and his brother, with whom he shared the duchy, agreed upon an edict subjecting State criminals to a scale of tortures which was calculated to culminate in death in not less than forty days. Giovanni Maria and Filippo Maria, last of the accursed race, organised man-hunts in the streets of their capitals, and fed their hounds on human flesh.

To starve his victims to death, and, when they complained (it was an age of practical jokes), to stuff their mouths with filth, was a pet sport with Galeazzo. Once, for a wretch who had killed a hare, a crime unpardonable, he procured a death of laughable, unspeakable torment by forcing him to devour the animal, bones and fur and all.

It is enough. They were all madmen, in fact, moral abortions of that 'breeding-in' of demi-gods which sows the world with chimeras. It is not good for any man to be subject to no government but his own, and least of all when a vicious heredity has imposed a sickness on his reason. Blood affinities on the near side of incest, power unquestioned, unbridled self-indulgences—these are no progenitors of temperance and liberality. Amongst savages, generations of inter-marryings will but refine exquisitely on savagery; and the despots of this era were little more than the last expressions of a decadent barbarism. Galeazzo, and such as Galeazzo, were, it is true, to project the long shadows of their lusts and cruelties over the times forthcoming; yet it is as certain that with him the limits of the worst were reached, and hereafter peoples and rulers were to grow to some common accord of participation in the enlightenments of their ages.

One might have fancied in him, in his apparent reachings to foreclose on such a state, to appropriate to himself not its moral but its material accessories, some uneasy premonition of the truth. He stood on the line of partition, his sympathies with the past, his greed for the opulent future, and, hesitating, was presently to drop between. That paradox of the lusts of savagery and the lusts of intellect hobnobbing in the individual, which characterised so many of his contemporaries, cried aloud in him. He was superstitious and a sceptic. Like Malatesta of Rimini—who could enshrine beneath the shadow of one glorious church the bones of a favourite mistress and those of an admired heathen philosopher which he had brought expressly from Greece for the purpose—he would make a compromise between Paganism and Christianity. He worshipped God and the devil, as if his arrogance halted at nothing short of reconciling two equal but antagonistic powers. He surrounded himself with monks and infidels; acclaimed impartially an illuminated psalter or a painting for a bagnio, a Roman canticle or a hymn to the Paphian Venus; sobbed in the soft throbbings of a lute, and went sobbing to witness a captive's torturing; conceived himself an enlightened patron of the arts, and, in a mad caprice, ordered his craftsmen, under penalty of instant death, to paint and hang with portraits of the ducal family in a single night a hall of the castello. He groped and grovelled in bestiality; founded a library and peopled a university with erudition; encouraged profligacy and printing; was covetous and lavish, and splendid as the clusters of diamonds on a Jewess's unclean fingers. His palaces swarmed with cutthroats and physicians, philosophers and empirics, pimps and theologians, heaven-commissioned artists and pope-commissioned agents for indulgences, who would sell one absolution beforehand for the foulest excesses in lust or violence. His crowded halls were the very stage of the ante-renaissance, where the priest, the poisoner, the romantic hero and the sordid villain, the flaunting and the white dove of innocence, rubbed shoulders with the scene-painter and conductor in a disordered rehearsal of the melodrama to come. And so we alight on him in this Rocca, sinister and lonely, the protagonist of the piece to which he was in a little to supply the most tragic dénouement.

He lay sunk back in pillows on a couch set in an alcove high and apart. One long, jewelled hand caressed the head of a boarhound. Judged by the swift code of his times, he was already mature, a sage of thirty-one. His eyes were small and deep-seated under gloomy thatches, his forehead narrow and receding, his cheeks ravenous, his nose was hooked. But in contrast with this pinched hunger of feature were the bagging chin and sensual neck, as well as the grossness of the body, which attenuated into feeble legs. One could not look on him and gather from crown to foot the assurance of a single generous youthful impulse. The curse of an inherited despotism had wrinkled him from his birth.

An effeminate luxury, which was presently to make Milan a byword among the austerer principalities, spoke in his dress. His short-skirted tunic, puff-shouldered, and pinched and pleated at the waist within a gem-encrusted girdle, was of Damascene silk, rose-coloured and lined with costliest fur. His hose were of white satin; his slippers, of crimson velvet, sparkled with rosettes of diamonds and rubies. On his head he wore a cap of maintenance, also of red velvet, and sewn with pearls; and a short jewelled dagger hung at his waist.

By his side, a very foil to his magnificence, stood one in a sad-coloured cloak. This was Lascaris, a Greek professor, whom he had invited to Milan for his learning, and used, like Pharaoh, to expound him his dreams. For he was subject to evil dreams, was this Galeazzo—hauntings and visions which wrought in him that state that he would become a very madman if so little as the shadow of an opposition crossed his imagination. And even now such a mood was working in him, as he lounged darkly conning the life of the hall from his eyrie.

That was a deep, semi-domed alcove, approached from the main chamber by a short avenue of square-sided pillars, and roofed with a mosaic of ultramarine and gold, into which were wrought the arms of the Sforzas and Viscontis, the lilies of France and the red cross of Savoy. Entablatures of white marble carved into bas-reliefs filled the inter-columniations of this approach; while the pillars themselves, of dark green panels inlaid on white, were sprayed and flowered with exquisite mouldings in gold. The capitals, blossoming crowns of gilt foliage and marble faces, supported a white cornice, which at the alcove's mouth ran down into twin fluted shafts, between which rose a shallow flight of steps to a sort of dais or shrine within. And thence, from a carved marble bench, Galeazzo looked down on the soft surging motley of the throng in the hall below.

Every sound there was instinctively subdued to the occasion: the laughter of girls, the thrum of lutes, the ring of steel and rustle of silk. Not so much as a misdirected glance, even, would venture to appropriate to the company's cynic merriment the figure of a solitary captive, who stood bound and guarded at the foot of the dais. Yet it was plain that this captive felt the enforced forbearance, and mocked it with a bitterer cynicism than its own.

He was a small, ill-formed, harsh-featured man, very soberly dressed, and with a cropped head—a feature sufficiently disdainful of the bushed and elaborately waved locks of those by whom he was surrounded. Lean-throated and short-sighted, his face was a face to scorn falsehood without loving truth, a face the mouthpiece of dead languages for dead languages' sake, a face the contemner of the present just because it was the present and alive. As he stood, loweringly phlegmatic as any caged hate, his peering eyes and snarling lip would occasionally lift themselves together, not towards the glittering lord of destinies on the dais, but towards his henchman, the Greek, who would answer the challenge with a stare of serene and opulent contempt. And so a long interval of silence held them opposed.

Suddenly the Duke stirred from his black reverie, his lips sputtering little inarticulate blasphemies. His knee peevishly dismissing the hound, he gripped an arm of the bench, and turning gloomily on Lascaris, uttered the one impatient word, 'Well?'

The Greek, temporising for the moment, inclined his smooth, black-bearded face, so that the oily essence on his hair, which was foppishly crimped and snooded, was wafted to the Sforza nostrils, offending their delicacy. Galeazzo, momentarily repelled, rallied to a harsher frown, and demanded: 'The fruit, man, the fruit of all this meditation? Jesu! it should be rotten-ripe by its smell!'

Lascaris expanded his chest, unoffended, and, caressing his beard, answered impassively:—

'Thou questionest of this vision, Theosutos? I answer, How many changes can be rung on a carillon of eight bells? By such measure shalt thou imagine, an thou canst, the changes possible to the myriad of particles that go to the composition of a single human eye. Now, in the unthinkable dispersements and readjustments of Infinity, shall it not sometimes happen that two particles, or two thousand particles, or two billion particles, out of the sum of particles which were that eye, shall chance together again, and recover, because of that meeting, some very ancient, very remote impression which they once absorbed in common? These, Theosutos, be the ghosts, haphazard, indefinable, visible to one and unseen of all the rest, which make the solitary seer; these be the lonely hauntings of the ages—dust blown over desolate places, to commingle a moment at some cross roads, and weave a phantom wreath of memory, and so again be cast and scattered among the cycles. Thy vision is but a shadow of old dead years.'

An ill-repressed stutter of laughter from the prisoner at the foot of the steps greeted the finish of this exegesis. Lascaris flushed scarcely perceptibly. The Duke took no more notice of man or sound than he would have of a whimpering dog. Once or twice he stammered an oath, gnawing his finger, and frowning up, and down, and up again at the Greek. Finally he broke out, in a fury:—

'Now, by the Host, thou consolest me—now, by the Host! To reconcile to this spectre by arguing it perpetual! To'

Grinding his teeth, he clipped his long fingers on the bench arm, as if he were about to spring. Lascaris forestalled him with a placid word:—

'Not perpetual. The mood invokes these shadows, as the mood shall lay them.'

Galeazzo snarled.

'The mood! What mood, fool? You shift and shift. God! it will be the mood of the mood next. Hast thou no master-key to all? Go to, then!'

He sank back into his cushions, glooming and panting. The sleek olive mask of the face near him yielded no sign of perturbation.

Gradually a very deadly expression came to usurp in the Duke's eyes that blinder madness of desperation. An indolent smile relaxed his features. He yawned, it was because, the soul horror being temporarily withdrawn, the incontinent devil was supplanting in him the tempestuous one. He rolled lazily about, addressing his creature once more:—

'You doctors—all the same! Big words to little cures. Treat a State's constitution or a man's—'tis the word's the thing. Ye woo not the truth, but her raiment. Hear'st me? I had a tutor once, a crabbed fellow called Montano.'

He yawned again. The prisoner below (Cola Montano himself) gasped slightly, and shot one stealthy glance his way. Lascaris sniggered.

'Surely, lord,' he said, 'we need no reminding while the man himself keeps his tongue.'

A half-suppressed snarl broke from the prisoner. Galeazzo, hunched on his cushions, stared vacantly before him.

'Ah!' he said, 'he could talk. I remember him, a midwife to the wind—as ye all be—as ye all be. What of the fellow?'

Lascaris wondered.

'Little, in truth, Magnificence, save in so far as your Magnificence was pleased to introduce his name.'

'Did I? I had forgot. What was the connection? Empty words, was it not, and vainglory and presumption?'

'And discontent. Add it thereto, Illustrious.'

'Discontent? Of what? The man prospers, I understand, on his school of all the virtues. Discontent? Why, hath he not risen to that independence of power that he dares lampoon his prince? Discontent?'

'Like Alexander, thou standest in his light, Theosutos.'

'Discontent?'

'Ay, that he should be twitted with having schooled a despot.'

'Why, true; he taught me how to score a lesson with a scourge. My shoulders could tell.'

'Gods! did he dare?'

'He dared. 'Twas a fellow of Roman mettle.'

'He would dare more now.'

'What?'

'A republic, so they say.'

'Ah! he should be the man for visions—a seer, an exorcist.'

'Short-sighted for a seer, Illustrious. The man cannot see the length of his own nose.'

'Yet may he see far. I would he were here.'

The prisoner, wrought at last beyond self-control, turned on the Greek and squirted a little shriek of venom—

'Yet through and through thee, thou loathsome, envious pimp!'

Then he whipped upon the other—

'And why not a republic, Galeazzo? Thy father Francesco was a republican at heart, else had he never given his son's leading-strings into my hands. There was a confederacy dreamed of in his day—Genoa, Milan, and Venice; Florence, Sienna, and Bologna. One rampart to the rolling Alps, one wall on which barbarian hordes might burst and waste themselves in foam. Northwards, a baffled sea; south, all Italy a tranquil haven, a watered garden, where knowledge with all its flowers should find space, and breathing-space to grow. Dost thou love Italy? Then why not a republic, Galeazzo?'

The Duke, as utterly impassive as if he were deaf, turned musingly to Lascaris.

'I heard one talk once,' said he, 'of a confederacy of republics, as who should say, An army all serfs. Words! The tails must obey the heads. Every ox knows it.'

'Saving the frog-ox,' giggled the Greek, 'who bursts himself in emulation.'

'Ah!' murmured the Duke, 'the frog-ox: see us tickle his self-puffery.'

He feigned to catch sight all at once of Montano. His eyes opened wide in astonishment: he held out his hands.

'What!' he cried, 'the man of visions! the very man! Come hither, old friend. I was but now speaking of thee.'

His guards permitting him, Montano sullenly mounted the steps, and stood facing the tyrant. His arms hung very plainly fettered before him; but the other never took his languid, smiling eyes from his face.

'Galeazzo,' said the scholar, harsh and quick, 'I did not write the epigrams; but no matter. You seek to make an example; I submit myself. It is the despot's part to lay hands on order and sobriety. Despatch, then. Thou wilt serve my ends better than thine own. Every blow to freedom is a link gone from thy mail.'

The Duke listened to him as if in bland wonder.

'Epigrams! An example!' he exclaimed. 'O, surely there is some mistake here.'

The thick brows of the prisoner contracted over his leaden eyes. He set his teeth, breathing between them. Galeazzo appealed to Lascaris:—

'Know'st aught of this?'

The Greek shook his head ineffably, licking his lips.

'No,' said Galeazzo, 'nor is it conceivable that my old friend and reprover should condescend to that meaner scourge. Jesu! for one of his learning and condition to incur the fate of the common lampooner. Why, I mind me how one was invited to a ragout minced of his own tongue.'

'Yes, Illustrious.'

'And another to having his couplets scored in steel on the soles of his feet.'

'Yes, Illustrious.'

'And yet another to boiling eggs under his arm-pits, since he was clever at hatching those winged epigrams'—he turned smoothly again to the tutor—'but not clever, as thou art, at reforming constitutions.'

He fell back, with a sleek and hateful smile; then, sighing suddenly, advanced his body again.

'I am troubled, Montano, I am troubled, and, since you chance to be here'

He yielded the explanation to Lascaris.

'I weary of relating. Tell him of my symptoms, thou'—and he sunk once more into his cushions.

The Greek diagnosed, his shifty eyes refusing to encounter the hard inquisition of the other's:—

'His Magnificence is of late ever conscious of a face behind him, mournful and threatening. And still, if he turns to challenge it, it is behind him; and still behind, maddening him with a thought of something he can never overtake.'

Galeazzo fixed his burning eyes on the prisoner, as if, through all his mockery, the hunger of a hopeless hope betrayed his soul.

'Canst thou strike it away,' he whispered hoarsely, 'or at least tell me what it is?'

Montano growled:—

'Ghosts, and dead years, and eye-particles! This trash of pseudo-science—a saltimbanco braying in a doctor's skin! Less licence, Galeazzo, and more exercise—'tis all contained in that. This vision is but a swimming blot of bile.'

He was really half-deceived, half-convinced. The Duke seemed to listen reassured, then slowly rose, and, with an ingratiatory smile, patted his erst tutor's shoulder.

'Old honest friend,' he said, 'and ever true to the Roman in thee! Thou hast spoken as one might expect. Bile, is it—bile? and little wonder in this upset of constitutions. Ebbene! we will take instant means to throw it off.'

He made a sign to the chief of the guard below.

'Andrea!'

Lascaris slunk back with a little gloating smile. The officer brought up his men about Montano. The Duke murmured softly:—

'Take good Messer Cola, and—' he paused a little, gazing winningly into his captive's surprised, splenetic face—'and have him soundly flogged before the gate-house—to the bone, Andrea, tell Messer Jacopo.'

Before the luring treachery of this stroke the prisoner stood for one moment shocked, aghast. The next, as the guard seized him, he broke into a storm of vituperations and blasphemies, calling upon all the gods of Rome to protect him from a monster. Andrea crushed his mailed hand down on his writhing lips; he was dragged away struggling and screaming. As he disappeared Galeazzo descended mincingly to the hall, bent on pursuing the show. A cloud of courtiers, male and female flocked, like rooks following a plough, in his wake. As he left the citadel and was crossing the outer ward, two ladies—one a young woman in her late twenties; the other a slim, pale girl of thirteen—broke from a group of attendants, and came, wreathed in one embrace, to accost him. The elder, looking in his face with a certain questioning anxiety, spoke him with a propitiatory smile and sigh:—

'Galeazino, O thou little sweetest burden on my heart!'

The endearment was really an inquiry, a warning; for there was a foreboding madness in his eyes. He made as if he would have struck her from his path. Her child companion caught his wrist with a merry cry:—

'My little father, whither sportest thou without thy women?'

He changed the direction of his hand and flipped the younger's cheek.

'Come, then, chuck,' said he. 'There is a frolic toward that will speed an idle hour.'

She caught up her skirts and followed him, as did the other, but less closely.

The gatehouse commanded from its battlements an open panorama of the town as far as the piazza of the duomo. Immediately to its front, in a bare extended space, stood the whipping-post, a stout beam set on end on a stage and furnished with hooks and chains. Already on the ground beside this (by preconcerted arrangement indeed) was a certain functionary, much respected of Milan. This was Messer Jacopo, the high court executioner—one, by virtue of his dealings in blood, almost on an equality with the master herald himself. Immobile and voiceless, he stood there like a model in an armoury. A short shirt of mail, and over it a scarlet jerkin with a plain dagger at the waist; hose of sober grey; a bonnet and shoes of black velvet, the first adorned with a red quill, the second with red rosettes; gorget and steel gauntlets—such was the whole of Messer Jacopo, save for the wooden, inessential detail of his face and its fixed eyes of glass. There was something painfully human, by contrast, in his understrappers, two or three of whom stood at hand in leathern aprons—men of a rich, moist physique and greasy palms, and jocund, slaughter-house expression. These were on bantering terms with the mob, with all that loose raff of the neighbourhood, which had come streaming and pushing and chattering to witness the sport. It was not often that the rats of the quarter Giovia had a master of philosophy to desert.

They had not long to wait. Almost simultaneously a little surging group appeared at the gates, and a throng of gay heads above the ramparts. The jostle and delighted whisper went among the crowd. What proportion would the scourging of a prince's tutor bear to the punishment it avenged? It surely would not be allowed to lose by procrastination. They craned their necks to catch an early sight of the victim. One of the assistants whipped experimentally through his fingers a thick, cruel thong of bullock-hide. It clacked a dry tongue.

'Be quiet, thirsty one,' he cried boisterously. 'In a moment thou shalt drink thyself to a sop.'

Up on the ramparts the ladies, with bright, inquisitive eyes, stood by their lord. The girl Catherine, petted love-child of her father, hugged confidingly to his arm.

'Padre mio,' she said, 'how sweet the world looks from here! I could fancy we were all Lazaruses, laughing down on that wicked Dives!'